
Lynn Saville, Plymouth Water Tower, 2019. Archival pigment print, 27 x 33 inches.
Lynn Saville, Elevated Platform at West 125th Street, 2023. Archival pigment print, 29 11/16 x 43 inches.
Lynn Saville, Elevated Tracks with Snow, 2021. Archival pigment print, 33 x 43 inches.
Lynn Saville, Red Building at Myrtle-Wyckoff Platform, 2022. Archival pigment print, 33 x 43 inches.
Lynn Saville, Rooftops from Court Square Platform, 2022. Archival pigment print, 33 x 23 inches.
Lynn Saville, Warehouse, Newburgh, 2013. Archival pigment print, 23 x 33 inches.
Lynn Saville, Water Tower from Smith and Ninth Street, 2020. Archival pigment print, 36 1/3 x 53 inches.
Lynn Saville, Billboard Under the Viaduct, 2018. Archival pigment print, 24 x 20 inches.
Lynn Saville, Train Tracks with Silver Sign, 2021. Archival pigment print, 20 x 24 inches.
Lynn Saville, Mulberry Street, New York. Archival pigment print, 20 x 24 inches.
Pepsi-Cola Sign, 2008, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches,
edition of 5.
String of Lights, 2014. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Red Rock West (West 17th Street), 2002, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
The Chrysler Building, 2014. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Brooklyn Bridge Construction, 2011. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Grand Central, Madison Avenue, 2016. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Grand Central Terminal, Western Facade, 2017. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Jill in Newburgh, 2016. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Beverly Hills at Dawn, 2012. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Blank Billboard, I-95 Baltimore, Maryland, 2011. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
The Green Hand, Portland, ME, 2012. Archival pigment print available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Post No Bills (West 42nd Street), 1999, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Bethesda Fountain, 2004, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Smith and 9th Street, Brooklyn, 2008, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Students at the Hackensack Bridge, 2008, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Girl on the Highline, 2009, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Taxi Times Square, 2002, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Fulton Landing Warehouse, 2002, Chromogenic Print, available in: 20 x 24 inches, edition of 15; 30 x 40 inches, edition 15; and 40 x 50 inches, edition of 5.
Riverside Park Fog, 1995. Gelatin silver print, edition of 6. Available in: 20 x 24 inches, 30 x 40 inches, 40 x 60 inches.
Pont Neuf, Paris, 2000. Gelatin silver print, edition of 25. Available in: 20 x 24 inches.
Staten Island Ferry, 1989. Gelatin silver print, edition of 6. Available in: 20 x 24 inches, 30 x 40 inches, 40 x 60 inches.
Palais Royale Trees, Paris, 1999. Gelatin silver print, edition of 25. Available in: 20 x 24 inches.
Flatiron Building, 1995. Gelatin silver print, edition of 6. Available in: 24 x 20 inches, 40 x 30 inches, 60 x 40 inches.
Brooklyn Bridge Fog, 1988. Gelatin silver print, edition of 6. Available in: 24 x 20 inches, 40 x 30 inches, 60 x 40 inches.
Gondolas, The Grand Canal, Venice, 2001. Gelatin silver print, edition of 25. Available in: 24 x 20 inches.
Palazzo Rio Canonica, Venice, 2001. Gelatin silver print, edition of 25. Available in: 24 x 20 inches.
Lynn Saville specializes in photographing cities between twilight and dawn, when the daylight gives way to moonlight, neon, and street light. Her night-time wanderings have taken her to ambiguous, transitional areas, leading her to capture sites and neighborhoods that are often deserted or overlooked. Stripped of human presence, our focus is drawn to fundamental elements of the city, such as bridges, billboards, and walls, that exist in Saville’s photographs for their own sake rather than components of urban living.
In her photographs of New York at night, the city appears suspended in time, as Saville captures the moment when one state of being is on the brink of becoming something else, when day turns to night, and night to day. In a more literal sense, Saville’s photographs map the transformation of the city as formerly industrial areas give way to residential developments. Shuttered storefronts and empty streets, often bathed in ambient, artificial light, acknowledge a rarely seen aspect of these urban landscapes, both mysterious and unsettling.
Born in Durham, North Carolina, Lynn Saville lives and works in New York City. She earned her BA from Duke University and her MFA from Pratt Institute. Her work has been widely exhibited in the US and abroad, including at The Photographers’ Gallery, London; the Brooklyn Museum, New York; Mint Museum, Charlotte, North Carolina; Tucson Museum of Art; and Nasher Museum of Art, Duke University. Her work can be found in numerous major public collections including National Portrait Gallery, London; International Center of Photography, New York; Brooklyn Museum, New York; Los Angeles County Museum of Art; and Museum of Fine Arts, Houston, among others.
Saville has published four monographs: Acquainted with the Night (Rizzoli, 1997); Night/Shift (Monacelli/Random House, 2009), with an introduction by Arthur C. Danto; Dark City: Urban America at Night (Damiani, 2015), with an introduction by Geoff Dyer, and Lost (Kris Graves Projects, 2018). Saville’s archives were acquired by the David M. Rubenstein Rare Book & Manuscript Library at Duke University.
December 30, 2024 – March 23, 2025
Jeff Larason’s Boston and Lynn Saville’s New York is a captivating exploration of quiet moments within two bustling urban environments. This exhibition combines the powerful and evocative urban imagery of Boston photographer Jeff Larason and New York City photographer Lynn Saville. Both artists delve deep into the visual language of cities, capturing moments of solitude and reflection that are often overshadowed by the energy and chaos of urban life. Larason and Saville reveal a serene, reflective, and unexpectedly beautiful side of city life through their unique lenses.

| Lynn Saville: Dark City, Urban America at Night Lynn Saville's Dark City photographs illustrate her exploration of urban America between dusk and dawn. In this series, she focuses on evocative spaces that are generally devoid of people. Vacant buildings, shuttered storefronts, and empty streets are the ostensible subjects of her pictures, but the natural cycle of decay and rebirth in urban ecology is at the heart of each of her landscapes of downtowns after dark from New York to Los Angeles. |

Into the Night: Modern and Contemporary Art and the Nocturne Tradition
Into the Night: Modern and Contemporary Art and the Nocturne Tradition examines the long tradition of the nocturne in art and how that tradition has expanded to encompass various ways that contemporary artists consider the enigmatic notion of the night. This exhibition is comprised of paintings, photographs, and works on paper that investigate the psychological concepts of darkness, the dreamscape and its connection to the night, and the inter-connectedness of the environment with cultural and artistic discourse.

Work by Lynn Saville is featured in PHOTO ID, a group exhibition at the Santa Cruz Museum of Art & History, on display through July 7. The exhibition of photographs explores the theme of identity through the lens of self, society, and gender.

The Space in Between, an exhibition featuring the work of Lynn Saville, was recently on display at the Photographic Resource Center at Boston University, and is now on view at the Atlantic Wharf's Waterfront Square Gallery in Boston through March 22, 2013.

Lynn Saville's first monograph Night|Shift: Photographs by Lynn Saville, published by The Monacelli Press, was released in May 2009.
