October 17, 2024 – January 11, 2025
Past as Prologue brings together politically potent historical works from the National Academy’s collection with contemporary works from the National Academy's current community of esteemed National Academicians. The exhibition explores themes of representation of race and indigeneity, political and social commentary, landscape, colonialism, migration, and borders. The first part of the exhibition is focused on landscape and territory. Included artworks depict scenes of grand tours and expeditions in which early Academy members took part, as well as the formation of ideas of the United States abroad, with works depicting colonialism and imperialism and the idea of ‘manifest destiny.’ The second part of Past as Prologue: A Historical Acknowledgment is being organized around the theme of identity in relation to political engagement, with artworks that contend with abolitionist movements, national identity including race and indigeneity, protest and political action, social fabric and community, as well as labor.
October 17, 2024 – March 2, 2025
The exhibition brings together photographs of the last twenty years from Mitch Epstein's fundamental series: American Power, Property Rights and Old Growth. The combination of these works tells of the resilience and fragility of the natural world, of the voracious devastation of resources at the hands of American industry and the risks that some reckless individuals assume to preserve what little remains of the pre-colonial lands, so that future generations can also enjoy it.
October 6, 2024 – April 6, 2025
Featuring some 100 works by more than 80 artists, The ʼ70s Lens examines how photographers reinvented documentary practice during this radical shift in American life. The questions these artists explored—about photography’s ethics, truth, and power—continue to be considered today.
September 5 – October 19, 2024
Mitch Epstein’s newest series of photographs, Old Growth, continues the artist’s career-long exploration of American culture and the nation’s fraught relationship with the natural world. Old Growth underscores the tension between the medium of photography – the camera can record its subject in a split-second – and the forests depicted, which have potentially infinite lifespans. This oscillation between the instant and the ancient, between human mortality and cosmic perpetuity, resonates through the exhibition. Old Growth articulates the forest’s resilience and fragility, highlighting the need for us to act now to realign our relationship to these precious natural resources. “It is not about how we can save trees,” says Epstein, borrowing from ecologist Suzanne Simard; “It is about how the trees might save us.”
August 30 – December 1, 2024
Focused primarily on sub-Saharan African countries, Marvellous Realism is transnational in outlook, the exhibition presents work by established and emerging artists using photography and film as a means to envisage contemporary African cultural identity as a state of ongoing possibility, in which myth, memory and movement weave together into a rich tapestry of expansively imaginative art works. The exhibition is founded on an awareness of how the rich and diverse contemporary art and cultural scenes in Africa remain largely unknown to the Chinese public, in spite of the importance of long-standing economic and political relationships. The featured artists in the exhibition invoke Africa as an innately cosmopolitan condition that is closer in kind to the philosopher Achille Mbembe’s description of the continent as ‘a body in motion born out of overlapping genealogies, at the intersections of multiple encounters with multiple elsewheres.’
Zanele Muholi opens survey at the Tate Modern
June 6, 2024 – January 26, 2025
Zanele Muholi presents their exhibition return to Tate Modern, following a highly successful and record-breaking European tour. With over 260 photographs, this exhibition presents the full breadth of Muholi’s career to date and is the first major UK survey of the artist’s work. New works will be presented from Muholi’s acclaimed series of dramatic self-portraits entitled Somnyama Ngonyama (‘Hail the Dark Lioness’). Turning the camera on themself, the artist adopts different poses and characters to address issues of race and representation. From scouring pads and latex gloves to rubber tires and cable ties, everyday materials are transformed into politically loaded props. The resulting images explore themes of labour, racism, Eurocentrism and sexual politics, often commenting on events in South Africa’s history and Muholi’s experiences as a Black queer person traveling abroad. Since 2020, Muholi has expanded their portraiture practice into sculpture. Exploring intimacy, four monumental sculptures in the exhibition reckon with the relationship between public and private spheres. These larger than life-size works include three bronze depictions of the artist and a bronze representation of female sexual anatomy.
With great sadness, Yancey Richardson announces the passing of the renowned Dutch photographer Bertien van Manen who joined the gallery in 2003. Born in 1935 in The Hague, Van Manen began her career as a fashion photographer in the 1970s. However, she soon shifted to documentary photography, establishing a unique and highly regarded style over four decades. Working mostly with a handheld camera, Van Manen created intimate and poignant photographs of ordinary people and commonplace scenes, produced during extended trips to Europe, America, China and the former Soviet Union.
Known for the immersive, immediate and raw nature of her photographs, Bertien van Manen often lived and traveled with the people who formed her subjects. Early in her career she drove alone in a pick-up truck through Appalachia to capture the lives of women in the mining communities, a subject to which she was to return thirty years later. Fluent in Russian, Van Manen was one of the first photographers to enter the former Soviet Union after the fall of the Iron Curtain, traveling to each of the former republics over a period of five years to capture a society in transition. Fascinated by the cultural changes in contemporary China, she journeyed there fourteen times between July 1997 and May 2000 to produce the series East Wind West Wind. From 2002 to 2005, Bertien van Manen photographed the family photographs held and displayed in the homes of immigrants throughout Europe, capturing a century of shared history, while highlighting the imminent disappearance of the family snapshot.
Throughout her distinguished career, Bertien van Manen published several influential photobooks, including A Hundred Summers, A Hundred Winters (1994), East Wind, West Wind (2001), and Let's Sit Down Before We Go (2011). In 2021, Mack Books published Archive, a 384-page compendium of her life’s work. Van Manen’s photographs have been exhibited in leading museums including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Maison Européenne de la Photographie, Paris; Reina Sophia, Madrid; Metropolitan Museum, Tokyo; and Fotomuseum Winterthur.
Bertien van Manen's legacy is a testament to her ability to capture the beauty and complexity of human existence, her visual language imbued with empathy and respect for the everyday lives of her subjects. Her work will undoubtedly continue to be a source of inspiration and reflection for future generations.
To read more about Bertien van Manen, click here
Mike Perry: Land/Sea | Senedd Oriel & Pierhead Futures Gallery, sponsored by the Welsh Parliament (Senedd Climate Change, Environment, and Infrastructure Committee)
June 1, 2024 – August 31, 2024
Mike Perry’s photographs for Land/Sea address the urgency of the environmental crisis. Bringing together two ongoing series, Land explores the human impact on “areas of natural beauty”. In the series Môr Plastig (Welsh for “Plastic Sea”), Perry’s images depict bottles, shoes, and grids that have washed onto land from the sea. The exhibition has been touring internationally for the past several years in Wales and internationally.
Mickalene Thomas: All About Love opens at The Broad
May 25 – September 29, 2024
Mickalene Thomas's new exhibition Mickalene Thomas: All About Love is now open at The Broad in Los Angeles. Co-organized with Hayward Gallery, London and in partnership with the Barnes Foundation, Philadelphia, this marks Thomas's first major international touring exhibition. Including over 80 works made in the last 20 years, the exhibition showcases the artist’s multidisciplinary practice celebrating and exploring themes of Black feminist empowerment, memory, and themes of love. Through her queries into pop culture and mass media, Thomas offers a reverberating demand for Black women to be seen and understood, and for viewers to become what the feminist author Bell Hooks calls “practitioners of love.”
SPAZI A TEMPO (TIMED SPACES)
May 10 – September 15, 2024
Occupying six rooms of the Palazzo Mosca, the exhibition is an immersive survey featuring photographic and video works from Olivo Barbieri’s site specific_series. Interested in our ability to see and interpret reality, Barbieri studied cities around the world from helicopters focusing on “representations of the contemporary city.” TIMED SPACES chronologically reviews 20 years of research on architectural forms and design in the fabric of more than 60 cities like Rome and Shanghai, Las Vegas and Seville, Bangkok and Los Angeles, Mexico City and Istanbul, Brasilia and Tel Aviv etc. The images and films featured in the show present a visual reflection on the nature and perception of the cities of the 21st century.
Zanele Muholi Retrospecive Announced at the San Francisco Museum of Modern Art
January 18 – August 11, 2024
A self-described visual activist, Zanele Muholi (b. 1972, Umlazi, South Africa) uses the camera to explore issues of gender identity, representation, and race. Often photographing their own body or members of their LGBTQ+ community in South Africa, Muholi calls attention to the trauma and violence enacted on queer people while celebrating their beauty and resilience. Activism is central to Muholi’s artistic practice, from their early work contending with the dangers of being queer in South Africa to their more recent work embracing their own blackness and gender expression. This exhibition brings together photographs from 2002 to the present alongside the artist’s latest explorations in painting and sculpture. The first major exhibition of Muholi’s work on the West Coast, it provides the opportunity for Bay Area audiences to experience the full range of the artist’s expansive project.
Morandi's Books
January 31 – July 7, 2024
Mary Ellen Bartley presents Morandi’s Books at the Museo Morandi in Bologna, Italy on view January 31 – July 7, 2024. Continuing the museum's tradition of exhibiting contemporary artists such as Rachel Whiteread, Tacita Dean and Wayne Thiebaud in dialogue with Giorgio Morandi, Bartley’s photographs will hang alongside the renowned 19th century still life painter – a source of inspiration from the beginning of her artistic practice.
Men Untitled
September 19, 2023 – January 14, 2024
Winner of the 2021 HCB Award, Carolyn Drake presents MEN UNTITLED at the Fondation Henri Cartier-Bresson, a new series of photographs exploring her relationship to myths of masculinity in American culture. Mixing symbols of virility, self‑portraits, and photographs of men “laid bare,” MEN UNTITLED functions as both introspection and documentary.
May 17, 2023
A new scholarship honouring Mickalene Thomas will support MFA students at Yale
In honour of the influential artist Mickalene Thomas, the collectors Bernard Lumpkin and Carmine D. Boccuzzi, Jr, have endowed a scholarship at the Yale School of Art to provide tuition assistance for an exceptional incoming MFA student each year. As part of the Mickalene Thomas Scholarship, the artist has committed to personally mentoring the recipients throughout their time in the two-year programme.
Twelve ee h s nine – Dolmen e Menhir in Sardegna
March 3 - June 25, 2023
On March 3, the Fondazione di Sardegna, in collaboration with the MAN Museum, will open Twelve ee hs nine – Dolmen and Menhir in Sardinia by Olivo Barbieri, curated by Marco Delogu and Chiara Gatti.
The artist's previously unpublished series concludes his work with the Sardinia Commission, a project that supports the production of contemporary works of art through the AR/S Arte Condivisa with the aim of showcasing the territory, history and stratifications that characterize the island of Sardinia. Through the eyes of curators, artists are invited to reside in Sardinia and produce work about life on the island.
The object of Barbieri's research is documenting the legacy of numerous megaliths, dolmens and menhirs scattered on the island. The purpose of these structures is still unclear to scholars; Barbieri records these stone artifacts and the space that surrounds them with his camera.
January 27, 2023
Lisa Kereszi is a recipient of the 2022 Louis Comfort Tiffany Foundation grant. Established in 1918 by Louis Comfort Tiffany, son of the founder of Tiffany & Company, the Foundation remains one of the largest single sources of monetary grants to artists working in America today. Since 1980, the Louis Comfort Tiffany Foundation’s biennial competition has awarded artists working in painting, sculpture, printmaking, photography, video, and craft media with grants to produce new work and push the boundaries of their creativity. Since 1980, more than $10,000,000 in awards has been distributed to more than 500 artists nationwide.
January 24, 2023
Mickalene Thomas designs the set for Dior's Josephine Baker-inspired Spring/Summer 2023 Haute Couture show
Mickalene Thomas created the stage design that served as the backdrop for Dior’s latest haute couture show, which debuted in Paris this week.
The luxury house’s creative director, Maria Grazia Chiuri, had been the one to ask the New York–based artist to take on the project, which was revealed on Tuesday. It was part of an ongoing effort by Chiuri to bring on established women artists as runway collaborators. Chiuri has previously worked with artists like Judy Chicago, Anna Paparatti, and Eva Jospin, even enlisting the historical work of the Surrealist painter Leonor Fini in one show.
Mary Lum: The Moving Parts (&)
February 6- June 24, 2023
For this newly commissioned exhibition, Mary Lum has created an artist’s book and installation featuring photographs of temporary constructions made from a palette of broken vintage letterforms. The small constructions carry ideas about language coming into being and piling up on itself. Fragments are rearranged in attempts to communicate, to form something whole and understandable, against backgrounds of varying colors. Lum’s photographs, letterforms, and artist’s book appear with a selection of sketchbooks that present the artist’s mode of working through collage. All are surrounded by a large-scale paint work that envelops the gallery, the bars of color echoing the Corita Papers that inspired Lum’s publication Moving Parts (&).
Zanele Muholi Retrospective Announced at Maison Européenne de la Photographie
February 1- May 21, 2023
The MEP is proud to present the first retrospective in France devoted to Zanele Muholi, an internationally renowned South African photographer and activist, whose work documents the life of the black LGBTQIA+ community (lesbian, gay, bisexual, transgender, queer, intersex, asexual +) and the individuals who constitute it. This major event, which brings together more than 200 photographs, videos and installations created since the early 2000s as well as numerous archival documents, covers the full extent of Muholi's career to date, thus honoring the one of the most acclaimed artists today.
Pictures from Home Adapted into Broadway Play
Previews begin: January 10, 2023
Based on the landmark photo memoir by Larry Sultan, adapted to the stage by Sharr White, starring Nathan Lane, Danny Burstein, and Zoë Wanamaker and staged by award-winning director Bartlett Sher, PICTURES FROM HOME will evoke memories of childhood, parenthood, and the hard-won wisdom that comes with both.
Mickalene Thomas: Avec Monet
October 13, 2022- February 6, 2023
Mickalene Thomas has cultivated a distinct visual vocabulary of Black erotica, Black sexuality, and Black queer aesthetics centered around leisure, joy and thought. For this exhibition, Thomas has created three new large-scale collages, one monumental painting and an immersive site-specific installation featuring her 2016 video/sculpture Me As Muse. These works represent the breadth of the visual language the artist has developed over the past twenty years while also revisiting the time she spent as an artist-in-residence at Claude Monet’s home in Giverny, France in 2011.
ICP Spotlights 2022 Honors Zanele Muholi
November 2, 2022
Founded in 2012, ICP Spotlights has spent ten years celebrating the immense talent of women imagemakers influencing the world of photography and visual culture. In its second decade and beyond, ICP Spotlights continues to make space for conversations regarding gender diversity in the field of photography. Though in the past ICP Spotlights has primarily supported women imagemakers, the ICP Spotlights Committee now looks to a more gender expansive community of imagemakers when determining the honoree of this prestigious award. ICP looks forward to celebrating women, non-binary, trans, intersex, and other gender expansive imagemakers at ICP Spotlights.
Sotheby's Impact Gala and Magnum Opus
September 26- October 12, 2022
Sotheby’s is pleased to present a series of exhibitions, events, and auctions to benefit Instituto Terra, the nonprofit environmental organization co-founded by acclaimed photographer Sebastião Salgado and Lélia Wanick Salgado. The auctions will take place both in person at the Sotheby’s Impact Gala, on Wednesday, September 28 at 8:30pm ET, and online in Sotheby’s Contemporary Discoveries. 100% of the proceeds from the sale of these lots will be donated to Instituto Terra to ensure the organization can continue its work planting millions of trees in Brazil’s Atlantic Forest and educating farmers, public officials and local communities about the importance of protecting this delicate ecosystem.
Close Enough: New Perspectives from 12 Women Photographers of Magnum
September 29, 2022- January 9, 2023
We are pleased to announce that Carolyn Drake's work is included in Close Enough: New Perspectives from 12 Women Photographers of Magnum, on view at ICP. The exhibition presents pivotal projects in the careers of 12 modern women photographers of Magnum Photos, the pioneering photography collective. Each of the photographers narrates their creative journey, providing vantage points into the extraordinary relationships they create within global situations, communities, and individual subjects.
Image Gardeners
January 4 - April 30, 2022
Inspired by the McEvoy Family Collection’s extensive holdings of portraiture, Image Gardeners assembles eight decades of portrait photography by women and non-binary makers who reflect, reframe, and resist dominant conventions of representation. In opposition to Susan Sontag’s theory that photography is a “voracious way of seeing,” an image gardener employs photographic seeing as a means of cultivation, preservation, and collaboration.
A Trillion Sunsets: A Century of Image Overload
January 28 - May 2, 2022
Are there too many images in the world? Too many of the wrong kind? Too many that we don’t like or want or need? These feel like very contemporary questions, but they have a rich and fascinating history. A Trillion Sunsets: A Century of Image Overload takes a long look at our worries and compulsive fascination with the proliferation of photographic images.
Being Muholi: Portraits as Resistance
February 10 - May 8, 2022
Being Muholi: Portraits as Resistance explores the life and work of internationally renowned photographer and visual activist Sir Zanele Muholi. For a decade, Muholi has documented South Africa’s Black LGBTQIA+ community. Through their visual archive of representation, the artist captures intimate expressions of beauty, vulnerability, love, loss, and belonging, while simultaneously confronting issues of identity politics, selfhood, and Black queer visibility.
Winter 2021
We are pleased to share that Victoria Sambunaris is the recipient of the 2021 John Simon Guggenheim Memorial Foundation Fellowship for photography.
On the Basis of Art: 150 Years of Women at Yale, September 10, 2021 - January 9, 2022
The exhibition showcases and celebrates the remarkable achievements of an impressive roster of women artists who have graduated from Yale University. Presented on the occasion of two major milestones—the 50th anniversary of coeducation at Yale College and the 150th anniversary of the first women students at the University, who came to study at the Yale School of the Fine Arts when it opened in 1869—the exhibition features works drawn entirely from the collection of the Yale University Art Gallery that span a variety of media, such as paintings, sculpture, drawings, prints, photography, and video.
Tir/Môr (Land/Sea)
July 10, 2021 - January 16, 2022
In the solo exhibition Tir/Môr (Land/Sea), photographic artist Mike Perry brings our attention to the environmental destruction happening on our doorsteps. Rather than distant locations such as melting glaciers or burning rainforests, Perry focuses his lens on our so called "areas of natural beauty", our National Parks. As we continue to count the cost of a global pandemic and head towards the United Nations Climate Change Conference meeting in Glasgow in November 2021, Perry's work could hardly be more resonant.
Plural Possibilites & the Female Body, Winter 2021
This exhibition features works by over twenty artists from the Henry’s collection alongside select loans from Seattle collections. It is presented as part of the Henry’s participation in the Feminist Art Coalition, a nation-wide initiative that seeks to generate cultural awareness about feminist thought, experience, and action. The exhibition locates the feminist pursuits of bodily autonomy and self-determination in solidarity with racial and sexual difference and encourages us to consider the possibilities of the individual and collective female body when freed from bounded limitations.
Victoria Sambunaris is the 2020 recipient of the Julius Shulman Institute’s Award for Excellence in Photography. The award is given to a photographer who honors Shulman's legacy and challenges the way that we look at space. Previous awardees include Iwan Baan (2010), Richard Barnes (2011), Pedro E. Guerrero (2012), Catherine Opie (2013), Grant Mudford (2014), and Hélène Binet (2015).
Zanele Muholi
November 5, 2020 - June 6, 2021
Tate Modern presents the first major UK survey of visual activist Zanele Muholi. With over 260 photographs, this exhibition presents the full breadth of their career to date. Muholi describes themself as a visual activist. From the early 2000s, they have documented and celebrated the lives of South Africa’s black lesbian, gay, trans, queer and intersex communities.
The Long Dream
November 7, 2020 - January 17, 2021
Against the backdrop of a global pandemic and a renewed reckoning over racial justice and inequality, The Long Dream invites visitors to see the city of Chicago, the world, and themselves, through the eyes of more than 70 local artists whose work offers us ways to imagine a more equitable and interconnected world.
Far Out: The West Re-Seen, Photography of Victoria Sambunaris
October 30, 2020 - May 1, 2021
This landmark exhibition brings together more than forty large-scale photographs by Victoria Sambunaris, and focuses on images made throughout Utah and the American West. In addition, the artist has curated a selection of works from the museum's permanent collection that will be shown alongside her photographs.
35th International Festival of Fashion, Photography and Fashion Accessories - Hyères
October 19, 2020
Guanyu Xu's work Temporarily Censored Home is chosen as the grand prize winner for the 35th International Festival of Fashion, Photography and Fashion Accessories - Hyères. The jury, presided over by Paolo Roversi, chose Xu's work from amongst ten finalists, drawn from a pool of 700 submissions and 50 nationalities.
Time for Outrage! Art in Times of Social Anger
October 29, 2020 - January 10, 2021
The exhibition Time for Outrage! is based on the eponymous 2010 essay by French resistance fighter Stéphane Hessel and brings together some forty international artists who visualise, reflect, and comment on various facets of anger and rage in our society. Their works deal with socio-political situations and inspire reflection.
Time - An Interactive Exhibition for the Whole Family
August 1, 2020 - May 1, 2021
The exhibition seeks to examine the concept of time through the world of art, and invites the visitors,older and younger alike, to try to “control time” using a wide variety of artistic, technological and interactive tools – to play, experience, consider and refashion the concept of time, based on their own perception.
And then you see yourself: Zanele Muholi
September 2, 2020 - January 18, 2021
And then you see yourself looks at the most recent Somnyama Ngonyama series through the lens of Muholi’s earlier works. Loosely chronological, a narrative about racial identity through self-portraiture unfolds over two decades, beginning in intimate, domestic, and sacred private space, and shifting to the public domain.
Olivo Barbieri, Early Works 1980 - 1984
June 26 - October 31, 2020
The exhibition presents 35 photographs taken by Barbieri in the early eighties that have been brought together for the first time. Mainly depicting Italy, the images present the daily life of its inahitants, from large urban centers to small cities.
Some of the exhibited images were included in Viaggio in Italia, the project conceived in 1984 by Luigi Ghirri which, by bringing together twenty young photographers, succeeded in redefining the idea of landscape and at the same time as a rethinking of the photographic act. The project is still to this day cosidered a manifesto for new generations.
Beyond the Image: Bertien van Manen and Friends
Februrary 29 - October 4, 2020
The Stedelijk pays tribute to Dutch photographer Bertien van Manen, an icon of contemporary photography. This will be the first major survey of her oeuvre in the world. In close liaison with Van Manen, each of her series will be combined with the work of another photographer, fourteen in total, including Nan Goldin, Boris Mikhailov and Rineke Dijkstra. This provides a counterpoint to Van Manen’s work, granting a broader context, emphasis, contrast or counterbalance.
Mickalene Thomas: Better Nights
December 1, 2019 - September 27, 2021
Inspired by the local New Jersey play ‘Put a Little Sugar in my Bowl’ organized and performed by the artists’ mother, friends, and family as well as the parties hosted by the artist’s mother in the late 1970s, Mickalene Thomas: Better Nights is an installation that will transform the galleries into an immersive art experience for the duration of the exhibition.
Better Nights will present a schedule of programming arranged by the artist, including live performances, concerts, activations, a live bar and appearances by guest DJs. The first chapter, Better Days, took place at the Galerie Volkhaus in Basel, Switzerland during Art Basel 2013.
Mickalene Thomas: A Moment's Pleasure
November 24, 2019 - May, 2021
Mickalene Thomas' immersive two-story installation transforms the BMA's East Lobby into a living room for Baltimore reflective of Thomas' signature aesthetic influenced by 1970s and 1980s motifs. The experience–the most expansive commission undertaken by both the artist and the BMA—extends onto an enclosed terrace, where Thomas has curated a presentation of works by artists with ties to Baltimore. Featured artists include: Derrick Adams, Zoë Charlton Theresa Chromati, Alex Dukes, Dominiqua S. Eldridge, Devin N. Morris, Clifford Owens, and D’Metrius John Rice.
Jitka Hanzlová: Silences
November 15, 2019 - February 16, 2020
The exhibition is the very first comprehensive presentation of Hanzlová’s work in her native country, covering three decades of her artistic practice and including a new series of photographs, conceived especially for the exhibition in the National Gallery Prague.
“The path that I take is a path back to look into the future”, thus Jitka Hanzlová explains her artistic pursuit and the way she perceives time and history. Born 1958 in Náchod and raised in Rokytnik in Eastern Bohemia (former Czechoslovakia), Hanzlová left her native country in 1982 for Essen, Germany where she studied photography at the visual communication department of the University of Essen. Developed in between two different cultures and political systems, her photographic oeuvre, at once truthful and poetic, reflects the recent historical transformations and elaborates an identity formation of a future emancipated subject in a post-Cold War world.
Landlines
August 24 - December 22, 2019
In Landlines, Graf continues his exploration across a varied range of photographic approaches and subjects, finding equal importance in conceptual, visceral, and narrative approaches to the medium. The photographs in this show are notes, recordings, observations, and questions from specific places and times. This is an optical research into the debris of the days; a self-portrait of the dust that sculpts us.
Terre in Movimento
May 11 - September 1, 2019
Olivo Barbieri, Paola De Pietri and Petra Noordkamp are the first artists involved in the Terre in Movemento project. Three artist are commissioned for a photographic survey of the landscape of the Marche region, promoted by the Superintendency forArchaeology, Fine Arts, the Landscape of the Marche and by MAXXI, that present an overview of the landscapes, works of art, ruins, new and fragile settlements and the people inhabiting them, in the area devastated by the 2016 earthquake. A selection of works from the project will be acquired for the MAXXI Collection.
Implicit Tensions
July 24, 2019 - January 5, 2020
The second part of Implicit Tensions (July 24, 2019–January 5, 2020) addresses Mapplethorpe’s complex legacy in the field of contemporary art. A focused selection of his photographs is on view alongside works by artists in the Guggenheim’s collection, including Rotimi Fani-Kayode, Lyle Ashton Harris, Glenn Ligon, Zanele Muholi, Catherine Opie, and Paul Mpagi Sepuya.
Make Believe
July 20, 2019 - January 20, 2020
Make Believe presents an enchanted realm where sleeping figures float, women weave spiderwebs, magicians cause children to disappear, and homemade dirigibles fly over icebergs. The exhibition brings together five artists who stage fantastical scenes for the camera to address a wide range of social and cultural issues, including the role of women in the Middle East, climate change, the passage from childhood to adolescence, and existential fears of loneliness and loss.
Make Believe
July 20, 2019 - January 20, 2020
Make Believe presents an enchanted realm where sleeping figures float, women weave spiderwebs, magicians cause children to disappear, and homemade dirigibles fly over icebergs. The exhibition brings together five artists who stage fantastical scenes for the camera to address a wide range of social and cultural issues, including the role of women in the Middle East, climate change, the passage from childhood to adolescence, and existential fears of loneliness and loss.
Be Seen: Portrait Photography Since Stonewall
June 22 - September 15, 2019
The 1969 Stonewall riots are viewed as an important turning point in the LGBTQ+ civil rights movement. Be Seen explores how artists have used portrait photography to challenge, subvert, and play with societal norms of gender and sexuality. In the past 50 years, photographers have documented the experiences of the queer community. They have also examined how gender identity and sexual orientation were viewed historically and how they are constructed today. For many of the artists in Be Seen, gender is not simply something we are, but something we perform. Just as the subjects of these photographs “pose” for the camera, so too do we perform our gender through the clothes we wear and how we interact with others.
Double Take
June 5 - September 1, 2019
In Colloquial language a "double take" refers to a delayed reaction to something unexpected, immediately after one's first reaction. It literally means to take twice. Both of these elements are at work in photographs of Sharon Core and Laura Letinsky.
May 11 - November 24, 2019
58th Venice Biennale
May You Live in Interesting Times, curated by Ralph Rugoff
The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today.
May 11 - November 24, 2019
58th Venice Biennale
May You Live in Interesting Times, curated by Ralph Rugoff
The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today.
May 24 - July 11, 2019
Orlando, an exhibition guest curated by Tilda Swinton
For the summer 2019 issue of Aperture and a coinciding exhibition, Swinton, as guest editor and curator, draws upon the central themes of the novel—gender fluidity, consciousness without limits, and the deep perspective of a long life—to offer a collection of images and writings that celebrate openness, curiosity, and human possibility. “Woolf wrote Orlando,” Swinton notes, “in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit. This issue of Aperture will be a salute to indetermination and limitlessness, and a heartfelt celebration of the fully inclusive and expansive vision of life exemplified by the extraordinary artists collected here.”
A River Runs Through It
February 26 - August 4, 2019
This exhibition explores the artwork inspired by the Platte River – from the sounds and sights of the land, flora, and fauna that surround, inhabit, and visit it to the sky that stretches far above. Works included are by such artists as Leoda Davis, Terry Evans, Michael Forsberg, Paul Johnsgard, Karen Kunc, Tom Mangelsen, Joel Sartore, Wendy Weiss & Jay Kreimer, Worthington Whittredge, among others.
November 29, 2018 – March 24, 2019
Mickalene Thomas: Femmes Noires
This exhibition, developed in a creative partnership between the AGO and the Contemporary Arts Center of New Orleans, presents a bold collection of Thomas’s vibrant and politically charged paintings, silkscreens, photographs, time-based media and site-specific installations exploring how black women are represented in art and popular culture. The exhibition also highlights Thomas’s collage work and the inspiration she takes from art histories and movements, including Impressionism, Cubism, Dada and the Harlem Renaissance.
British Landscape & The Imagination: 1970 to Now
September 30, 2017 - January 27, 2018
This major survey exhibition focuses on artists who have shaped our understanding of the British landscape and its relationship to identity, place, and time. Exploring how artists interpret urban and rural landscape through the lens of their own cultural, political, or spiritual ideologies, the exhibition reveals the inherent tensions between landscape represented as a transcendental or spiritual place, and one rooted in social and political histories.
February 16 - March 26, 2019
Laura Letinsky, L'emprise du Temps
The work of Laura Letinsky (b. 1962) sends us back in time. Like many phtographesr working prior to the digital age, Letinsky used a Polaroid for tests. Shot with Polaroid Type 55 film - the famous instant-development process that creates a single image- Letinsky photographed fruit, flowers, food, cutlery, and other everyday objects. Those familar with the Canadian artist's work will recognize her still lifes, a genre in which she has stood out since the 1990s. But just as she was about to throw away these test images, she became intrigued by how they had deteriorated. The materials had changed in unexpected ways and offered a lesson on the vulnerability of life. Digital technology has made much of contemporary photography immaterial and, in many ways, sharp and bright - there is something gripping, therefore, about Letinsky's Polaroids, degraded as they are by the development process, chance, and the passage of time. They have an air of mystery, of strangeness: a metaphor for life itself.
January 25 - March 23, 2019
Mark Steinmetz united states
The first solo exhibition and overview of the artist's work in Austria, FOTOHOF gallery presents Mark Steinmetz united states. Through 40 years of consistent and stoic work, Steinmetz has created an influential and vast body of photographs. Excerpts from the most important work cyles of the last three decades, and a collection of all sixteen of his to-date published photo books, illustrate the discreetness and poetic vigor that shapes his work.
February 15 - May 26, 2019
The Extended Moment: Photographs from the National Gallery of Canada
The Extended Moment brings forth around seventy works that reveal the historical, technological, and aesthetic breadth of the collection, which is little known in this country. In the exhibition’s presentation at the Morgan, works of far-flung origins are placed side-by-side to highlight recurring trends and tensions in the history of the medium. Artists include Edward Burtynsky, Julia Margaret Cameron, Henri Cartier-Bresson, Lynne Cohen, John Herschel, Richard Learoyd, Lisette Model, Zanele Muholi, Edward Steichen, and Josef Sudek.
February 9 - June 9, 2019
Like sugar
Our taste for sweetness is a powerful force. It is one of the foundations of empires; of slavery; of ecological devastation; and of modern health epidemics and food injustice. Even knowing this, we love it. Flowers and fruits seduce birds and insects with their nectars; for human beings, sugar starts as cane, beets, or corn, and people have harvested and manipulated and packaged it to suit consumers’ fancies. We continually construct and reconstruct its meanings. Like Sugar will explore both the problematic and the joyful aspects of sugar, complicating our view of how this multi-layered substance affects us. Through artwork by contemporary artists such as Vik Muniz, Julia Jacquette, Zineb Sedira, Laurie Simmons, Sharon Core, and others; historical materials such as maps, prints, and books; and material culture such as cane-cutting tools and sugar dishes, the show will raise questions and provide a space for dialogue about sugar in our lives.
February 16 - June 9, 2019
Theater of Fiction
Theaters of Fiction presents work by seven contemporary artists who have utilized a variety of means and mediums to explore themes of illusion, escapism, and artificiality through the physical space of the theater and its accoutrements. Rather than depicting actors or audience members, these artists look outside the performance itself to the space in which it unfolds. Foregrounding the absences present in spaces where fictions are staged, these works explore the enchantment and fallacy of fantasy and reveal the constructs and hierarchies of culture and of the fabrications with which we entertain ourselves. Featuring works by Lisa Kereszi, Candida Hofer, Hiroshi Sugimoto, Carrie Mae Weems, and Rhona Bitner.
January 31 - December 5, 2019
Anthony Hernandez
Subversive, reflective and socially aware, the North American photographer Anthony Hernandez has spent over forty-five years developing a very personal photographic style based around the universe of his home city of Los Angeles, reflecting its stark beauty and its growing sprawl of asphalt and cement. This exhibition, the first retrospective in Spain of his work, provides an unusually broad range of photographs linked together by their captivating formal beauty and their understated commitment to contemporary social issues.
December 21, 2018 - March 3, 2019
Feast for the Eyes: The Story of Food in Photography
The exhibition explores how food is represented and what its significance can be by means of three themes. For Still Life, one of the most popular genres in painting is taken as the starting point. The photographs show how the artists have been inspired by the genre and how it has changed in the course of time. Around the Table looks at the ritual that takes place around food. In addition, this section also deals with cultural identity that is reflected in food. Finally, Playing with Food shows what happens when humour, fun and irony are combined with food. In addition to the photos there will be a number of cookbooks on display. The books provide an additional visual history and supply context to the photos on the wall.
Joyful and courageous, Zanele Muholi photographs Black lesbian, gay, bisexual, transgender, and intersex individuals in South Africa, driven by an intense dedication to increasing the visibility of one of the country’s most vulnerable communities. The artist shares the personal motivations behind an ongoing self-portrait series that allows them to own their voice, identity, and history as a queer Zulu person. From a portrait session in the Johannesburg townships to a gallery opening in Cape Town, Muholi photographs LGBTI individuals, in the hopes of eradicating the stigma and violence that has pervaded queer communities in South Africa. Muholi and the participants in their work stake out their places in the world and demand that their voices be heard.
December 13, 2018 – February 24, 2019
Ansel Adams in Our Time
“Ansel Adams in Our Time” brings Adams forward in time, juxtaposing his work with that of contemporary artists such as Mark Klett (born 1962), Trevor Paglen (born 1974), Catherine Opie (born 1961), Abelardo Morell (born 1948), Victoria Sambunaris (born 1964), and Binh Danh (born 1977). The more than 20 present-day photographers in the exhibition have not only been drawn to some of the same locations, but also engaged with many of the themes central to Adams’ legacy: desert and wilderness spaces, Native Americans and the Southwest, and broader issues affecting the environment: logging, mining, drought and fire, booms and busts, development, and urban sprawl.
October 24, 2018 – February 10, 2019
Posing Modernity: The Black Model from Manet and Matisse to Today
A sweeping re-examination of the history of modern art at the Wallach, located in Columbia’s Lenfest Center for the Arts on 125th Street west of Broadway, the exhibition presents more than 100 works of art from the mid-19th century to today, on loan from more than 40 public and private collections. Created by artists from Édouard Manet, Edgar Degas, and Henri Matisse to Romare Bearden, and Mickalene Thomas, the works show how the representation of the black female figure has been central to the development of art for the past 150 years. Posing Modernity is co-organized by the Wallach and the Musée d’Orsay, Paris. Columbia’s presentation is curated by Denise Murrell, the Wallach’s Ford Foundation Postdoctoral Research Scholar.
October 20, 2018 – January 13, 2019
Muse: Mickalene Thomas and tete-a-tete
Mickalene Thomas challenges current standards and asserts new definitions of beauty and inspiration through her groundbreaking photographs. Identifying photography as a touchstone for her practice, much of Thomas' work functions as an act of deconstruction and appropriation - she draws inspiration widely, borrowing various visual motifs, including 1970s black-is-beautiful imagery, 19th-century French painting, and 20th-century studio portraiture. Communities of inspiration are further highlighted in tête-à-tête, a companion presentation curated by Thomas. This mini-exhibition within Muse includes works by 10 artists that have inspired Thomas. Placed consciously in dialogue with her own practice, these works contain many of the same themes central to Thomas’ images. Artists include Renée Cox, LaToya Ruby Frazier, Zanele Muholi, and Carrie Mae Weems, among others.
October 19, 2018 – March 2, 2019
Southbound: Photographs of and about the New South
An unprecedented photography exhibition co-curated by Mark Sloan, director and chief curator of the Halsey Institute of Contemporary Art, and Mark Long, professor of political science, both of whom are on the faculty of the College of Charleston, in South Carolina, Southbound embraces the conundrum of its name. To be southbound is to journey to a place in flux, radically transformed over recent decades, yet also to the place where the past resonates most insistently in the United States. To be southbound is also to confront the weight of preconceived notions about this place, thick with stereotypes, encoded in the artistic, literary, and media records. Southbound engages with and unsettles assumed narratives about this contested region by providing fresh perspectives for understanding the complex admixture of history, geography, and culture that constitutes today’s New South.
October 18, 2018 – February 17, 2019
Civilization: The Way We Live Now
This large scale exhibition comprises over 300 works, adopting different angles to examine collective human life in the society of the 21st century. A collaboration between MMCA and the Foundation for the Exhibition of Photography, with curators William E. Ewing and Holly Rousell, the exhibition will first be presented at MMCA then to the world as it travels through several different countries.
October 6, 2018 – March 10, 2019
New Southern Photography
The largest photography exhibition at the Ogden Museum to date, this exhibition features the work of twenty-five emerging, mid-career and established photographers. Each photographer ia individually showcased with a monographic installation focusing on a single body of work within the context of a group exhibition. All types of lens-formed imagery are included from traditional analogue and digital still photography to video installation and new media. Regional identity in an interconnected and global world is central to the exhibition’s narrative. Themes and ideas addressed in New Southern Photography include: memory, the experience of place in the American South, cultural mythology and reality, deep familial connections to the land, the tension between the past and present, and the transitory nature of change in the New South.
October 6 – December 2, 2018
Between Continuum: Photographic and cinematographic works since 1990
September 21, 2018 – January 19, 2019
No Time
No Time builds an imaginary environment inspired by the Moss People sculptures of Finnish contemporary artist Kim Simonsson, complemented by dozens of artworks drawn from the McEvoy Family Collection. Predominant in No Time are historical, modern, and contemporary photographs spanning more than 130 years, including works by Nobuyoshi Araki, Binh Danh, Mitch Epstein, Rodney Graham, Mike and Doug Starn, Carleton Watkins, and Francesca Woodman.
September 14 – December 8, 2018
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness
In partnership with Autograph, Spelman College Museum of Fine Art is proud to present the United States premiere of Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness. In this internationally acclaimed exhibition featuring more than 70 photographs, visual activist Muholi, whose pronouns are they and them, uses their body as a canvas to confront the politics of race and representation in the visual archive. Muholi’s psychologically charged portraits are unapologetic in their directness as they explore different archetypes, personal and collective histories, contemporary politics, and global events. Somnyama Ngonyamaemploys the conventions of classical painting, fashion photography, and the familiar tropes of ethnographic imagery to critically rearticulate contemporary identity politics. By increasing the contrast in the dark complexion of their skin, Muholi interrogates complex representations of beauty, pride, and desire. Gazing defiantly at the camera, Muholi challenges the viewer’s perceptions while firmly asserting their cultural identity on their own terms.
September 14 – November 18, 2018
Double Enclosure
In his first solo European Museum exhibition Double Enclosure, Sepuya enters into a dialogue with himself as artist, his subjects and the spectator. He comments on the medium of photography as a construction of longing: the longing to record things, to look, to touch and to keep. Through a combination of draped fabric, careful framing and layered images of existing work, the viewer sees arms, thighs, torsos and hands, but rarely the whole body of the subject.
September 9, 2018 – February 17, 2019
Still Life, Obstinacy of Things
With a selection of international and Austrian artists ranging from Jan Groover to Christopher Williams, Leo Kandl and Harun Farocki, the large theme-based photo graphy exhibition highlights the historical development strands that have led to today’s radical re-examination of the genre as a new field of experimentation for artistic expression. Above all, the exhibition featuresa younger generation of artists who are reflecting our very own ‘present’ in their photographs. They do so by precisely perceiving and meticulously examining the world of objects that surrounds us, with all its peculiarities, beauty, and ugliness. While some have chosen aggressively to combine highend consumer products with garbage and trash, others focus on things utterly over looked: worlds of objects that act as the traces of our everyday world with an often idiosyncratic beauty – which is precisely why they reward a closer examination.
September 8 – December 2, 2018
Hellen van Meene: And everything goes on when you die
How can it be that the world keeps turning, the sun shines on and the flowers bloom – that, in short, it can be a beautiful day – when someone you love has just died? How is it possible that between your tears, and to your own amazement, you can suddenly laugh again, and enjoy making plans for the future, or creating things, while you are still paralyzed by grief? How can the world seem to be exactly the same when your own life has been altered so profoundly? These unfathomable connections between death, mourning, and renewed vitality inspired Hellen van Meene to create her newest work, entitled And everything goes on when you die.
September 1, 2018 – January 5, 2020
Constructing Identity in America
This permanent collection show of more than 80 paintings, sculptures, and works on paper will address a variety of characteristics that contribute to one’s sense of self, including civic, cultural, artistic, religious, professional, and sociopolitical identities, sense of place and personal space, and non-conformity. Portraits range from Charles Wilson Peale’s Portrait of George Washington (1783) to John Singer Sargent’s Ernest-Ange Duez (1884), Alice Neel’s Isabel Bishop (1974) and Catherine Opie’s Jo (1993). Works addressing the impact of geography upon identity include those of Matthew Jensen, Abelardo Morrell, and Dennis Oppenheim, while defining moments of social activism appear in works by Juan Sanchez, Jaune Quick-to-See Smith, Jack Whitten, and Mel Edwards. The exhibition is curated by Gail Stavitsky, MAM chief curator.
July 30 - November 30, 2018
Full Bleed: A Decade of Photobooks and Photo Zines by Women
A deliberate, ordered and sometimes narrative arrangement of photographic images bound in a book with little or no text, the photobook is an intimate presentation from photographer to viewer, one on one. This selection of photobooks and photo zines, created by an international group of women artists in the last ten years, embodies essential truths told through eclectic visual vocabularies. The images encompass coldly objective photographs of American locations of mythic importance, digital photos snapped through a car window and prints resulting from experiments with expired photo paper.
July 18, 2018 – January 19, 2019
Shop It!
Theorists Theodor Adorno and Max Horkheimer coined the term "culture industry" to denote the way in which products of human creativity have undergone a process of objectification. The consuming subject can no longer expect art to fulfill a liberating role in his life. On the contrary: artistic and cultural goods are themselves used as a kind of narcotic, obeying an oppressive social order that prevents independent and critical thought. With this in mind, the present cluster of exhibitions addresses the question: how can one produce an artistic intervention that will not be co-opted by the system? The artists displayed in it choose to test the system's limits in order to challenge its equilibrium. The cluster examines the options still available for artists to realize their subversive impulse, such as turning the weapons of the capitalist enemy against it: advertisements, spectacle, replication, reproduction, viral dissemination via the internet and more.
June 30 - September 30, 2018
Give a Damn
The exhibition connects many media including painting, textile, photography, and drawing by 20th- and 21st-century artists diverse in race, sexual orientation, gender, age, and nationality. Many recent acquisitions are being shown at the museum for the first time, including work by Dawoud Bey, Jeffrey Gibson, Jane Irish, Zanele Muholi, Deborah Roberts, Wendy Red Star, archive material related to the Black Panther Party, and more. Recently conserved, Los Angeles–based artist Lari Pittman’s seminal Once a Noun, Now a Verb #1, 1997, is a large-scale, intensely intricate four-panel painting made in the height of the AIDS crisis that celebrates and examines what the artist has called the “bittersweet nature of life.”
SFMoMA acquires "Kydoimos: The Din of Battle" a 30 minute video comprised of aerial images of weapons testing grids by David Maisel, score by Chris Kallmyer.
June 24 - September 26, 2018
New Territory: Landscape Photography Today
New Territory: Landscape Photography Today is a survey of contemporary landscape photography from around the world. The exhibition of more than 100 photographs will explore how artists stretch the boundaries of traditional landscape photography to reflect the environmental attitudes, perceptions, and values of our time. The exhibition also features work by Alison Rossiter, Gary Emrich, Abelardo Morell, Penelope Umbrico, and Matthew Brandt.
July 24 - September 30, 2018
MUSE: Mickalene Thomas Photographs and tête-à-tête
This exhibition and its accompanying publication are the first to gather together Thomas’ various approaches to photography, including chromogenic color prints, collages, and Polaroids. The exhibition also includes a reconstruction of the artist’s studio, a tableau depicted in many of the photographs. tête-à-tête, is an installation curated by Thomas of work from photographers and key images that have inspired her. This includes work from older generations of artists as well as more contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas’ own practice. Artists include Derrick Adams, Renée Cox, LaToya Ruby Frazier, Lyle Ashton Harris, Deana Lawson, Zanele Muholi, Malick Sidibé, Xaviera Simmons, Hank Willis Thomas, and Carrie Mae Weems.
June 12 - August 19, 2018
Art Made Now
Grayson Perry RA has curated the 2018 Summer Exhibition at the Royal Academy, the 250th annual celebration of “art made now”. In addition to work by Mike Perry, the exhibition features works by David Hockney RA, Mona Hatoum, Tal R, Wolfgang Tillmans, Tracey Emin, Rose Wylie, Bruce Nauman and Ed Ruscha.
May 11 - July 8, 2018
Chosen Family: David Hilliard
David Hilliard has been photographing his life on the East Coast and elsewhere for over twenty years. Through cinematic, multi-image panoramas he is often noted for his nuanced photographic storytelling. His unique method combines both the still, singular moment with the movement and perspective only achievable through the passage of time. These decades of work also reveal his own shifting constructions of home, masculinity, desire, and family. Chosen Family brings together works made between 1993 and 2018 to explore these various positionings within three worlds: his liberal father’s gritty New England life, his conservative mother’s evangelical world in southwest Florida, and the queer families he has created throughout the country, but primarily in his own homes in Massachusetts and Maine.
June 5 - September 2, 2018
Ori Gersht and Zadok Ben-Dvaid
Ori Gersht’s Falling Bird is inspired by the still life of the 18th century painter Jean-Siméon Chardin, entitled A Green-Colored Duck Attached to the Wall and a Bigarade. The film reveals a suspended duck, suddenly splitting a shimmering black surface, which collapses in its own reflection. The impact of the bird that penetrates the liquid surface and the triggering of a tremendous chain reaction, evokes the idea of an ecological disaster. Ori Gersht explores the relationship between photography and technology.
April 28 - December 30, 2018
Picture Fiction: Kenneth Josephson and Contemporary Photography
Drawn largely from the MCA’s permanent collection, Picture Fiction: Kenneth Josephson and Contemporary Photography considers the artist’s work in the larger context of conceptual art. Core to the exhibition are four major series made roughly between 1960 and 1980: Images within Images, Marks and Evidence, History of Photography Series, and Archaeological Series. The exhibition also highlights links between Josephson and other contemporary artists working in photography, film, and sculpture—including Laura Letinsky, Roe Ethridge, Jessica Labatte, Marlo Pascual, Jimmy Robert, and Xaviera Simmons. Together, their work illuminates the ways images make meaning today.
May 2 - October 14, 2018
Shape of Light: 100 Years of Photography and Abstract Art
For the first time, Tate Modern tells the intertwined stories of photography and abstract art. The birth of abstract art and the invention of photography were both defining moments in modern visual culture, but these two stories are often told separately. Shape of Light is the first major exhibition to explore the relationship between the two, spanning the century from the 1910s to the present day. It brings to life the innovation and originality of photographers over this period, and shows how they responded and contributed to the development of abstraction.
Key photographs are brought together from pioneers including Man Ray and Alfred Stieglitz, major contemporary artists such as Barbara Kasten and Thomas Ruff, right up to exciting new work by Antony Cairns, Maya Rochat and Daisuke Yokota, made especially for the exhibition.
February 2 - April 22, 2018
In the Garden
Drawn from the vast George Eastman Museum collection in Rochester, New York, In the Garden explores the ways in which photography has recorded, interpreted, or staged the cultivated landscape in its many shapes and forms. More than 100 images, from the 19th-century daguerreotype to today's inkjet prints, illustrate the range of gardens that have fascinated photographers, and how both subject and medium stimulate one another: photographers wanted to capture nature, and nature became the perfect subject as they experimented with new techniques and processes. More than simply chemists, photographers increasingly became viewed as artists.
March 25 - May 25, 2018
The Tipping Point: Artists Address Climate Change
Artists J. Henry Fair, David Maisel, Alison Moritsugu, Richard Parrish, Jill Pelto, will exhibit in The Tipping Point. David Maisel’s images of radically altered terrain have transformed the practice of contemporary landscape photography. Maisel’s images of environmentally impacted sites consider the aesthetics and politics of open pit mines, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting images take us towards the margins of the unknown.
March 8 -11, 2018
Come visit us at Booth 617 featuring works by Sharon Core, Bryan Graf, Pello Irazu, Andrew Moore, Muholi, Rachel Perry, Paul Mpagi Sepuya, and Mickalene Thomas.
March 18 - August 19, 2018
Being: New Photography 2018
Congratulations to Paul Mpagi Sepuya on being selected for the upcoming New Photography at MoMA. Seventeen artists will be included in the survey, which will be titled “Being.” Curated by MoMA assistant curator Lucy Gallun, the show will include work that touches on, among other things, masks and avatars, the history of portraiture, and the thin boundary between public and private. All of the artists included will be showing work primarily made since 2016.
February 15 - May 13, 2018
Figuring History
Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas brings together three generations of contemporary American artists, whose work challenges a Western painting tradition that underrepresents people of color. The vibrant and monumental paintings by these artists offer bold perspectives on Black culture and representation. Presented together for the first time, the figurative paintings of Colescott, Marshall, and Thomas are shaped by distinctive historic events, unique in style, and united in questioning the narratives of history through Black experience.
March 3 - June 3, 2018
Mark Steinmetz: Terminus
Based in Athens, GA, Mark Steinmetz is a leading Southern artist whose lyrical photographs capture the distinctive character of the region’s people and the peculiar beauty of its built environment. Since the 1980s, he has created an exceedingly compelling and quietly poetic image of contemporary American life. Mark Steinmetz: Terminus is the latest chapter in the ongoing Picturing the South project, for which the High Museum commissions artists to create original bodies of work that offer new perspectives on the South’s social and geographical landscapes.. The exhibition is comprised of over 60 never-before-exhibited photographs.
Jared Bark and Lois Lane have provided the set design for 12 Shouts to the Ten Forgotten Heavens, a three-year iterative performance project presented at the Whitney on twelve occasions by American playwright, director, and performer Sibyl Kempson with her theater company, 7 Daughters of Eve Theater & Performance Company. 12 Shouts will mark each solstice and equinox occurring between March 2016 and December 2018 creating a new ceremonial calendar and a contemporary mythology.The eighth Shout in this cycle of twelve rituals celebrates the Winter Solstice, which occurs at exactly 11:28 am EST on December 21, 2017.
Congratulations to Zanele Muholi on receiving the Knighthood of the Order of Arts and Letters bestowed by the French Government. Muholi states, "This honour is not for me, it's for every other black LGBTQI, or any other person, who understands what it's like at this time to be us. It means more than a lot, and hopefully it paves the way for many who will follow us, and honours those who came way before us, and who never had an opportunity to be recognised."
September 27, 2017 - January 21, 2018
Trigger: Gender as a Tool and a Weapon
“Trigger: Gender as a Tool and a Weapon” investigates gender’s place in contemporary art and culture at a moment of political upheaval and renewed culture wars. The exhibition features an intergenerational group of artists who explore gender beyond the binary to usher in more fluid and inclusive expressions of identity.
September 22 – November 12, 2017
Paul Mpagi Sepuya: Portraits/Positions
Paul Mpagi Sepuya is known for his extensive photographic documents of domesticated scenes of friends, fellow artists, and lovers. Interwoven within these tender, often amatory, environments is Sepuya’s practice of including anatomized photographs of his studio.
September 23 -November 26, 2017
Among Trees and Stones: Walking Green-Wood
A new Site Specific project by Matthew Jensen at Green-Wood Cemetery where he has assembled a room-sized cabinet of curiosities drawing from specimens and photographs amassed in his many walks through the cemetery, as well as from Green-Wood’s rarely seen collection of fine art and historic objects
September 15, 2017 - January 1, 2018
Anthony Hernandez
This first retrospective on the major American photographer Anthony Hernandez (b. 1947) features approximately 160 photographs—many never shown before—from the artist’s more than forty-five-year career.
August 12 - December 30 2017
Other Side: Art, Object, Self
What is the “other side”? Is it the same for everyone? This exhibition, featuring contemporary artworks from the Tang’s collection, offers many “other sides.” The artists in Other Side: Art, Object, Self explore the interconnections and elusive boundaries between concepts like life and death, seen and unseen, loss and hope, artifice and truth. They use objects, materials, and bodies in provocative ways to encourage viewers to assess preconceived notions and to prompt critical examinations of the self—of national, cultural, and personal identities.
July 14 - October 28, 2017
Somnyama Ngonyama: Hail the Dark Lioness
July 8 - October 15, 2017
Zanele Muholi
Making its Dutch premiere is Muholi’s latest series Somnyama Ngonyama (Hail the Black Lioness, 2015 to the present). A series of self-portraits, this body of work marks a radical new step in her oeuvre. Often experimenting with dramatic poses and lighting, Zanele turns the camera on herself, capturing the multiple roles that she assumes as a black lesbian woman. Through the use of high-contrast black and white tonal values, Muholi exaggerates her skin tone to emphasize her ‘blackness’. Curator Hripsimé Visser: “Her self-portraits are profoundly confrontational yet witty, and searingly emotional, too. Through an inventive manipulation of props and lighting, Muholi creates historical, cultural and personally inspired versions of ‘blackness’. With this, she defies stereotypical images of the black woman and speaks to current debates about stigmatisation and stereotyping.”
The Stedelijk Museum also presents a comprehensive selection of works from two other important series: Faces and Phases, and Brave Beauties. Also in the show is a projection of the documentary We Live in Fear (2013), and one of the exhibition galleries has been transformed into a documentary space for Inkanyiso, (Zulu for ‘the one who brings light’), the multi-media internet platform that Zanele Muholi founded in 2009 to create a visual history of LGBTQI communities.
Making its Dutch premiere is Muholi’s latest series Somnyama Ngonyama (Hail the Black Lioness, 2015 to the present). A series of self-portraits, this body of work marks a radical new step in her oeuvre. Often experimenting with dramatic poses and lighting, Zanele turns the camera on herself, capturing the multiple roles that she assumes as a black lesbian woman. Through the use of high-contrast black and white tonal values, Muholi exaggerates her skin tone to emphasize her ‘blackness’. Curator Hripsimé Visser: “Her self-portraits are profoundly confrontational yet witty, and searingly emotional, too. Through an inventive manipulation of props and lighting, Muholi creates historical, cultural and personally inspired versions of ‘blackness’. With this, she defies stereotypical images of the black woman and speaks to current debates about stigmatisation and stereotyping.”
The Stedelijk Museum also presents a comprehensive selection of works from two other important series: Faces and Phases, and Brave Beauties. Also in the show is a projection of the documentary We Live in Fear (2013), and one of the exhibition galleries has been transformed into a documentary space for Inkanyiso, (Zulu for ‘the one who brings light’), the multi-media internet platform that Zanele Muholi founded in 2009 to create a visual history of LGBTQI communities.
Making its Dutch premiere is Muholi’s latest series Somnyama Ngonyama (Hail the Black Lioness, 2015 to the present). A series of self-portraits, this body of work marks a radical new step in her oeuvre. Often experimenting with dramatic poses and lighting, Zanele turns the camera on herself, capturing the multiple roles that she assumes as a black lesbian woman. Through the use of high-contrast black and white tonal values, Muholi exaggerates her skin tone to emphasize her ‘blackness’. Curator Hripsimé Visser: “Her self-portraits are profoundly confrontational yet witty, and searingly emotional, too. Through an inventive manipulation of props and lighting, Muholi creates historical, cultural and personally inspired versions of ‘blackness’. With this, she defies stereotypical images of the black woman and speaks to current debates about stigmatisation and stereotyping.”
The Stedelijk Museum also presents a comprehensive selection of works from two other important series: Faces and Phases, and Brave Beauties. Also in the show is a projection of the documentary We Live in Fear (2013), and one of the exhibition galleries has been transformed into a documentary space for Inkanyiso, (Zulu for ‘the one who brings light’), the multi-media internet platform that Zanele Muholi founded in 2009 to create a visual history of LGBTQI communities.
Making its Dutch premiere is Muholi’s latest series Somnyama Ngonyama (Hail the Black Lioness, 2015 to the present). A series of self-portraits, this body of work marks a radical new step in her oeuvre. Often experimenting with dramatic poses and lighting, Zanele turns the camera on herself, capturing the multiple roles that she assumes as a black lesbian woman. Through the use of high-contrast black and white tonal values, Muholi exaggerates her skin tone to emphasize her ‘blackness’. Curator Hripsimé Visser: “Her self-portraits are profoundly confrontational yet witty, and searingly emotional, too. Through an inventive manipulation of props and lighting, Muholi creates historical, cultural and personally inspired versions of ‘blackness’. With this, she defies stereotypical images of the black woman and speaks to current debates about stigmatisation and stereotyping.”
The Stedelijk Museum also presents a comprehensive selection of works from two other important series: Faces and Phases, and Brave Beauties. Also in the show is a projection of the documentary We Live in Fear (2013), and one of the exhibition galleries has been transformed into a documentary space for Inkanyiso, (Zulu for ‘the one who brings light’), the multi-media internet platform that Zanele Muholi founded in 2009 to create a visual history of LGBTQI communities.
Making its Dutch premiere is Muholi’s latest series Somnyama Ngonyama (Hail the Black Lioness, 2015 to the present). A series of self-portraits, this body of work marks a radical new step in her oeuvre. Often experimenting with dramatic poses and lighting, Zanele turns the camera on herself, capturing the multiple roles that she assumes as a black lesbian woman. Through the use of high-contrast black and white tonal values, Muholi exaggerates her skin tone to emphasize her ‘blackness’. Curator Hripsimé Visser: “Her self-portraits are profoundly confrontational yet witty, and searingly emotional, too. Through an inventive manipulation of props and lighting, Muholi creates historical, cultural and personally inspired versions of ‘blackness’. With this, she defies stereotypical images of the black woman and speaks to current debates about stigmatisation and stereotyping.”
The Stedelijk Museum also presents a comprehensive selection of works from two other important series: Faces and Phases, and Brave Beauties. Also in the show is a projection of the documentary We Live in Fear (2013), and one of the exhibition galleries has been transformed into a documentary space for Inkanyiso, (Zulu for ‘the one who brings light’), the multi-media internet platform that Zanele Muholi founded in 2009 to create a visual history of LGBTQI communities.
June 3 - September 17, 2017
New York Arbor
New York Arbor is a series of photographs of idiosyncratic trees that inhabit New York City; these pictures underscore the complex relationship between trees and their human counterparts. Rooted in New York's parks, gardens, sidewalks, and cemeteries, some trees grow wild, some are contortionists adapting to their constricted surroundings, and others are pruned into prized specimens. Many of these trees are hundreds of years old and arrived as souvenirs and diplomatic gifts from abroad. As urban development closes in on them, New York's trees surprisingly continue to thrive. The cumulative effect of these photographs is to invert people's usual view of their city: trees no longer function as background, but instead dominate the human life and architecture around them.
April 8 - July 16, 2017
Another Way of Telling: Women Photographers from the Collection
In our current season of civil protest in which women are at the forefront, asserting their voices, it seems appropriate and timely to explore work by several generations of women photographers. On view in this exhibition are exceptional and rare photographs spanning the history of the medium, including examples by pioneers Diane Arbus, Julia Margaret Cameron, and Anne Brigman and contemporary artists Kelli Connell, Ann Parker, and Elaine Stocki.
On view May 28th
Assembly (Lorem Ipsum)
Artist Mary Lum, who lives in North Adams, works in a range of media, including wall drawing, painting, collage, photography, and artist books. Language plays an important role in her practice, with the artist drawing on texts from a diversity of sources, including literature, psychoanalysis, and the news. Lum has been included in three previous exhibitions at MASS MoCA in the past fifteen years; for the opening of Building 6 she was commissioned to create a large-scale wall work for the bike tunnel that transverses the ground floor of Building 6, piercing one of MASS MoCA’s biggest buildings to connect Adams-North Adams-Williamstown bike trails. Lum’s monumental painting, covering four walls, is inspired by Lorem ipsum, the meaningless text that graphic designers and typesetters use as mock filler content as placeholders for actual texts, and which was originally drawn from Cicero’s writings on ethics. The intricate work vibrates between writing, image, and pattern, and speaks to the fragmented way in which we acquire information and see language in today’s world. Mirrored interludes provide a vibrant backdrop to passing cyclists.
Installation photo courtesy Grace Clark
May 24 - September 30, 2017
Genesis
Genesis is a quest for the world as it was, as it was formed, as it evolved, as it existed for millennia before modern life accelerated and began distancing us from the very essence of our being. It is a journey to the landscapes, seascapes, animals and peoples that have so far escaped the long reach of today’s world. And it is testimony that our planet still harbours vast and remote regions where nature reigns in silent and pristine majesty. Through these photographs, Genesis aspires to show and to share this beauty. It is a visual tribute to a fragile planet that we all have a duty to protect.
Lélia Wanick Salgado
Curator
May 12 - August 6 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers. As neighborhoods started to decline in the 1950s, the photographers in this exhibition found ways to call attention to changing cities and their residents. Down These Mean Streets: Community and Place in Urban Photography explores the work of ten photographers—Manuel Acevedo, Oscar Castillo, Frank Espada, Anthony Hernandez, Perla de Leon, Hiram Maristany, Ruben Ochoa, John Valadez, Winston Vargas, and Camilo José Vergara—who were driven to document and reflect on the state of American cities during these transformative years.
May 19 - September 10, 2017
Shifting Perspectives: Photographs of Brooklyn's Waterfront
This exhibition features the work of two dozen photographers whose images crisscross the Brooklyn shoreline, from Newtown Creek to Jamaica Bay. By picturing decades of Brooklyn’s coastal scenery, including its changing industrial and postindustrial environment, the exhibition presents dramatic panoramic vistas; spectacular aerial views; glimpses of popular recreational attractions, particularly in nearby Brooklyn Bridge Park and at Coney Island; and other scenes, including those impacted by natural or manmade forces, as well as by gentrification.
May 17, 2017 - 2020
Grand Central Revealed
Grand Central Terminal, MTA Arts for Transit Lightbox Exhibition, NYC opens in Spring 2017 and continues for approximately 3 years
April 14 - July 23, 2017
Park Wonder
Matthew Jensen spent several months investigating four historic northern NJ parks and landscapes to create site-specific artworks for this exhibition. Park Wonder utilizes photography, sculpture, found materials, and local history. By bringing visual traces of surrounding landscapes into a museum setting, this exhibition fosters connections between our natural and cultural resources.
May 19 - August 30, 2017
Joe's Junkyard
Through photographs and a collection of ephemera, Joe’s Junk Yard tells the story of an empire built on the steel of crashed El Caminos and used car parts, the effects of a changing economy and shifts in societal values, and the decades long struggle of a first generation immigrant family to maintain the American Dream.
Regarding the Figure presents works from The Studio Museum in Harlem's permanent collection that explore the practice of portraiture and figuration as a means of celebrating personal and collective histories, ideas and identities. Ranging in date from the late nineteenth century to the present, and representing some forty artists from Henry Ossawa Tanner (1859–1937) to Njideka Akunyili Crosby (b. 1983), the works present diverse and at times unexpected methods of figuration, from the traditional (the portrait bust) to the experimental, and show subjects who come from the realms of both the celebrated and the anonymous.
Library Copies
Library Copies is a culmination of work over the past three months as a visiting artist in the Reanimation Library currently housed at the Queens Museum. The windowless library inspired a new series of images generated using the library's black and white photocopier.
Southern Accent: Seeking the American South in Contemporary Art
One needs to look no further than literature, cuisine and music to see evidence of the South's profound influence on American culture, and consequently much of the world. This unprecedented exhibition addresses and complicates the many realities, fantasies and myths that have long captured the public's imagination about the American South. Presenting a wide range of perspectives, from both within and outside of the region, the exhibition creates a composite portrait of southern identity through the work of 60 artists. The art reflects upon and pulls apart the dynamic nature of the South's social, political and cultural landscape.
Utopia/Dystopia: A Paradigm Shift featuring La Citta' Perfetta by Olivo Barbieri, a film consisting of 7,942 stills and 22 short films
Utopia/Dystopia—A Paradigm Shift is the first "manifesto exhibition" to be held in the kunsthalle designed by Amanda Levete (AL_A). Installed in three of MAAT's galleries, this key-inaugural project will be a large group show featuring more than 60 works by a range of international artists and architects, some appearing for the first time in Portugal. The show will reveal how the two fields have represented ideas of utopia, or anticipated emerging notions of dystopia, since the early 1970s, with a strong focus on work produced over the last five years. Participants include architects such as Archigram, Archizoom, åyr, Didier Faustino, Yona Friedman, Aldo Rossi, Superstudio, and artists such as Kader Attia, Olivo Barbieri, Jordi Colomer, Tacita Dean, DIS Collective, Cao Fei, Ângela Ferreira, Cyprien Gailard, Jonas Staal, Ryan Trecartin, and Wolfgang Tillmans.
Panorama
Pello Irazu is a key artist on the contemporary artistic scene, an outstanding figure in renovation of the Basque sculpture and, fundamentally, a creator who since the 80s has developed a coherent work extending over three decades. Alternating sculpture—the medium in which he develops a broader spectrum, ranging from small three-dimensional creations to large-sized installations and hybrid objects—with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.
Dark City
Lynn Saville photographs cities at twilight and dawn or as she describes, "the boundary times between night and day." Saville explains, "I began my series titled, "Dark City" to pursue this contrast between aesthetic perception and the subtext of economic distress, a contrast that evoked a disquieting beauty. In effect, I was seeking to capture the ways in which urban places become spaces and vise versa."
Drawn from the National Museum of Women in the Arts, this collection display showcases photography and video work by seventeen contemporary artists from around the world. Featuring work by: Marina Abramović, Rineke Dijkstra, Anna Gaskell, Nan Goldin, Charlotte Gyllenhammar, Candida Höfer, Icelandic Love Corporation, Mwangi Hutter, Kirsten Justesen, Justine Kurland, Nikki S. Lee, Hellen van Meene, Shirin Neshat, Daniela Rossell, Eve Sussman and the Rufus Corporation, Janaina Tschäpe and Adriana Varejão. |
Revealing Pictures: Photographs from the Christopher E. Olofson Collection
Works on view by Edmund Clark, Daniel and Geo Fuchs, Pieter Hugo, Liu Zheng, Zanele Muholi, Robert Polidori, and others serve as striking examples of photography's ability to explore issues of identity, place, and nationhood. Muholi began making a series of portraits as a form of visual activism in response to crimes against gays and women in her native South Africa.
Until January 8, 2017
NO MAN'S LAND: WOMEN ARTISTS FROM THE RUBELL FAMILY COLLECTION | National Museum of Women in the Arts, Washington DC
Until January 14, 2017
BEDAZZLED | Lehman College Art Gallery, Bronx, NY
Until January 16, 2017
FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA | ICA Boston, MA
October 4, 2016 - January 22, 2017
THE COLOR LINE: AFRICAN-AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES | Musée du quai Branly, Paris
Until January 22, 2017
BELIEF + DOUBT: SELECTIONS FROM THE FRANCIE BISHOP GOOD AND DAVID HORVITZ COLLECTION | NSU Art Museum, Fort Lauderdale, FL
Until January 31, 2017
COLLECTED | Pier24 Photography, San Francisco, CA
tête-à-tête includes the work of:
Derrick Adams
Renee Cox
John Edmonds
Lyle Ashton Harris
Deana Lawson
Zanele Muholi
Wangechi Mutu
Clifford Owens
Paul Sepuya
Malick Sibide
Xaviera Simmons
Hank Willis Thomas
Mickalene Thomas
Carrie Mae Weems
For this exhibition, Thomas has created a group of silkscreened portraits to be featured alongside an installation inspired by 1970s domestic interiors, and a two-channel video that weaves together a chorus of black female performers, past and present, including standup comedians Jackie "Moms" Mabley and Wanda Sykes, and pop-culture icons Eartha Kitt and Whitney Houston.
Yamamoto's career as a photographer began in 1993. One of Japan's most important living photographers, Yamamoto has taken many different approaches to photography over the past 20 years. But what has remained constant is the artist's belief that humans are just a small part of nature, united with it and part of it. Throughout his career, Yamamoto has often returned to animals, particularly birds, as a subject, reflecting his childhood fascination with the creatures and his eternal commitment to the unity of humanity and nature. With Tori, the photographer departs on yet another artistic journey, with a new series of quietly moving animal images (tori means "bird" in Japanese). Yamamoto asks himself, and his viewers: What do we see, and what do we identify with, in birds?
Through January 29, 2017
Boundless: A California Invitational
Museum of Photographic Arts, San Diego
Through November 28, 2016
California: The Art of Water
Cantor Center for Visual Arts, Stanford
Through December 16, 2016
Threatening Beuaty
Maier Museum of Art, Randolph College,
Lynchburg, VA
Dirt Meridian: Photographs by Andrew Moore
Photographer Andrew Moore has worked along the 100th meridian for the past decade, drawn to its mythic past and the people who call the High Plains home. Although literally the center of the United States, its sparse population teeters between geographic isolation and its prominent role in national and global markets for agriculture, energy, and natural resources. Moore sets this dynamic against the enduring myths of a quintessentially American landscape, balancing the weight of its past against a complex future.
The FotoFocus Biennial is a regional, month-long celebration of photography and lens-based art held throughout Cincinnati and the surrounding region. Featuring over 60 participating museums, galleries, academic institutions, and community organizations, the 2016 Biennial will include original FotoFocus curated exhibitions and four days of events and programming, including screenings, lectures, and performances.
October 8, 3:30pm - 7:00pm
3:30pm Exhibition Reception for FotoFocus Curated Exhibitions Zanele Muholi: Personae, Jackie Nickerson: August, and Robin Rhode: Three Films
5:30pm Evening Program with Zanele Muholi, Artist, Johannesburg, South Africa, Introduction by Sophie Hackett, Curator, Photography, Art Gallery of Ontario
The RPS Awards, established in 1878, are the longest running and most prestigious photography awards in the world. They recognize exceptional photographers, scientists, curators, educators.
The IPHF is the only organization worldwide that recognizes and honors those who have had a significant impact on the evolution of photography. Past inductees to the Photography Hall of Fame include Ansel Adams, George Eastman, Edwin Land, Edward Steichen, and 65 other esteemed professionals.
As a Hall of Fame and Museum, the IPHF has work from more than 500 artists, 5,000 historical cameras and more than 30,000 photographs in its permanent collection. More information on the International Photography Hall of Fame and inductees can be found at www.iphf.org. |
Southern Accent: Seeking the American South
This unprecedented exhibition addresses and complicates the many realities, fantasies and myths that have long captured the public's imagination about the American South. Presenting a wide range of perspectives, from both within and outside of the region, the exhibition creates a composite portrait of southern identity through the work of 60 artists.
Lynn Saville: Dark City, Urban America at Night Lynn Saville's Dark City photographs illustrate her exploration of urban America between dusk and dawn. In this series, she focuses on evocative spaces that are generally devoid of people. Vacant buildings, shuttered storefronts, and empty streets are the ostensible subjects of her pictures, but the natural cycle of decay and rebirth in urban ecology is at the heart of each of her landscapes of downtowns after dark from New York to Los Angeles. |
Portrait (s) 4th Season Under the Sun Between the last fantasies of childhood and the first concerns of the adult world, puberty is a delicate period of physical and psychological transformations. The Dutch photographer Hellen van Meene has for many years produced portraits of teenagers. The gracefully choreographed gestures and glances are tinged with both apprehension and melancholy. |
Ersatz Light Case Study #1 East West Villa Manin, Udine Italy Opens July 15 International Open Air Photography Festival Gibellina, Sicily, Italy Opens July 29 Extraordinary Visions. L'Italia ci Guarda Maxxi Foundation, Rome June 2 - Ocotber 23, 2016 A Tile, Some Milk, A Machine, and Logistics: Photographs of Emilia-Romana at Work MAST Foundation, Bologna May 4 - September 11, 2016 |
SYSTEMATICALLY OPEN?—New Forms for Contemporary Image Production Somnyama Ngonyama Curated by Zanele Muholi (b. 1972; lives and works in Johannesburg) Drawn from a Zulu phrase meaning "Hail, the Dark Lioness," Somnyama Ngonyama uses stylized self-portraiture as a means to commemorate, question, and celebrate the ways the black body has been represented in photography. Augmented with shells, textiles, and other objects, the artist's diverse coiffures explore hair as symbolic primary material and a central facet of African identity and stylistic expression. An acknowledgement of South Africa's political history and a series of activist networks operating today in the country and elsewhere, Muholi's project comments on aesthetic and cultural issues that affect black people, and specifically black women, in Africa and its diaspora. |
Reset Modernity - ZKM Center for Art and Media, Karlesruhe, Germany April 16 - August 21, 2016 Capitalist Melancholia - Centre for Contemporary Art, Leipzig April 30 - August 7, 2016 ARENA, Noorderlicht Photofestival 2016, Mueum Belvedere, The Netherlands May 22 - July 3, 2016 California: The Art of Water - Stanford University, CA July 13 - November 28, 2016 |
Artist-in-Residence, Isabella Stewart Gardner Museum, Boston, MA - ongoing
Tamarind Institute, Albuquerque, NM 2016
Working stay at Casa Zia Lina, Elba, Italy August 2016
Anne Stark and Kurt Locher Fellowship 2015-2016 The MacDowell Colony, Peterborough, NH
Found - curated by Cornelia Parker
Combining new and existing work with found objects kept for their significance, the exhibition will unfold throughout the Museum, interacting with historic works in the Collection and with each other. Parker's inspiration has in part been taken from the Museum's eighteenth-century tokens – small objects left by mothers with their babies as a means of identification should they ever return to the Foundling Hospital to claim their child.
Congratulations to Sebastiao Salgado on his election to the seat of The Academie des Beaux Arts of the Institue of France
Congratulations to Matthew Jensen on his 2016 Fellowship
Light and landscape combine as metaphor in numerous works by Jensen. In 2009 the Metropolitan Museum of Art acquired his photographic series The 49 States and exhibited it in After Photoshop: Manipulated Photography in the Digital Age (2012). The photographs were derived from months of exploring small towns in the early days of Google Streetview. The series is also in the collection of the National Gallery of Art where it was also exhibited (2016). Other works likeThe Sun Returning, 14 Hour Sunset and Rainbow Around the Sun were exhibited together at Yancey Richardson Gallery as part of Jensen's solo show Feels Like Real (2015).
(Not So) Still Life
Wave Hill's spring exhibition, (Not So) Still Life, brings together 14 contemporary artists whose multimedia work encourages a rethinking of still life as a genre.
Collective Actions: Aerial Photographs by Alex MacLean This exhibit of aerial photographs is about three projects reflecting on climate issues - New York Roof Tops, Tar Sands Extraction, and an ongoing study of evolving agriculture practices to reduce greenhouse gas emissions and sequester carbon. |
Laura Letinsky: Still Life Photographs, 1997 - 2012
Laura Letinsky – a University of Manitoba alumna and University of Chicago professor – has returned to her alma mater to display some of her still life photography in an exhibition called Laura Letinksy: Still Life Photographs, 1997-2012 at the School of Art Gallery.
Into the Night: Modern and Contemporary Art and the Nocturne Tradition
Into the Night: Modern and Contemporary Art and the Nocturne Tradition examines the long tradition of the nocturne in art and how that tradition has expanded to encompass various ways that contemporary artists consider the enigmatic notion of the night. This exhibition is comprised of paintings, photographs, and works on paper that investigate the psychological concepts of darkness, the dreamscape and its connection to the night, and the inter-connectedness of the environment with cultural and artistic discourse.
IMMAGINI 1978 - 2014 A major retrospective that frames, through six sections and over 70 works, the diverse themes or areas of research around which Olivo Barbieri has developed his artistic work. Photographs and films illustrate the photographer's career from the late 1970s to the present. |
VISAGES / portraits europeens
A retrospective steeped in the history of European portraiture featuring 24 photographers such as Anton Corbijn, Beat Struli, and Juergen Teller.
No Mountains in the Way: Photographs from the Kansas Documentary Survey, 1974
In 1974, with a grant of $5,000 from the NEA, No Mountains in the Way was organized by Jim Enyeart, then curator of photography at the University of Kansas Museum of Art. He and Kansas natives Terry Evans and Larry Schwarm—all artists who have attained considerable achievement in the intervening decades—travelled the state, photographing whatever struck them as representative. Each worked on an assigned theme. Enyeart focused on buildings, Evans on people, and Schwarm on the landscape. Their collective visions combined to poetically reflect place, culture, and custom in Kansas. The exhibition and catalogue were presented in 1975.
Zinathi: photographs by Zanele Muholi
A Gallatin Student Affairs/Life Black History Month Program: Dismantling the Master's House: The Spectrum of Black Activism. Co-sponsored with The Gallatin Galleries
Reception with the artist Friday, February 26th 5-7 p.m.
Widely considered the leading honor for excellence in the field, the Infinity Awards is ICP's largest annual fundraiser, supporting all of its programs, including exhibitions, education, collections, and community outreach.
This year Arts Council of Wales is delighted to award photographic artist Mike Perry a Creative Wales Award. Perry has chosen "Rewilding" as the subject of his Creative Wales Award. Following George Monbiot's call for our generation to reconnect with nature. Perry wants to artistically explore contemporary ideas of re-generation in the context of climate change, loss of species, and the increasing influence of agribusiness.
Beyond Maps and Atlases by internationally renowned Dutch photographer Bertien van Manen. This is the artist's first body of work produced in Ireland and traces her journey across the island over the past year and a half. During her visits she stayed in the homes of strangers, mostly other photographers living across Ireland, who became friends with van Manen and made work alongside the artist. While travelling she became immersed in Irish literature and was guided by the words and landscapes of Seamus Heaney, John Banville and John McGahern as much as the people she traveled with.
A new Public Art Installation on the Anne H. Fitzpatrick facade
Shifting Baselines: Texas Gulf Coast Shifting Baselines: Texas Gulf Coast is a studied visual consideration of the culture, environment, and history of the Texas Gulf coast. Viewers are invited to consider their own notions and questions about landscape, our place within it, and the individual and collective involvement in shaping and stewarding it the way we do. GROUP SHOWS "Island Time: Galveston Artist Residency - The First Four Years" Contemporary Art Museum Houston, November 21, 2015 - February 14, 2016 |
Coney Island: Visions of an American Dreamland 1861 - 2008 "…the first major exhibition to use visual art as a lens to explore the lure that Coney Island exerted on American culture over a period of 150 years. An extraordinary array of artists viewed Coney Island as a microcosm of the American experience, from its beginnings as a watering hole for the wealthy, through its transformation into an entertainment mecca for the masses, to the closing of Astroland Amusement Park following decades of urban decline." |
In monumental and gorgeously realized photographs, Laura Letinsky and Tanya Marcuse penetrate the very crux of the meaning of desire: to long for, to crave, to miss. They thus place themselves in an historical trajectory of the still life genre, as well as extend the genre's parameters.
Second-Hand Reading: William Kentridge and Zanele Muholi
Kentridge and Muholi offer perspectives on South Africa from two generations.
Ordinary Pictures
Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture-based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production. Despite its apparent throwaway status, the stock image is the primary commodity of a $1 billion global industry with far-reaching effects in the marketplace and the public sphere.
This exhibition will highlight a selection of photographs donated in honor of the 25th anniversary of the National Gallery's photography's collection. Marking the culmination of a year-long celebration of photography at the museum, this installation brings together an exquisite group of gifts, ranging from innovative photographs made in the earliest years of the medium's history to key works by important 20th-century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.
Yancey Richardson Gallery is pleased to present Somnyama Ngonyama, the debut exhibition of self-portraits by South African artist Zanele Muholi and her second solo exhibition at the gallery. Somnyama Ngonyama, meaning "Hail, the Dark Lioness", represents a newly personal approach taken by Muholi as a visual activist confronting the politics of race and pigment in the photographic archive.
EXHIBITIONS|GROUP SHOWS
"Contact" Casa dei Tre Oci, Venice
September 11, 2015 - January 10, 2016
"Vukani/Rise" Open Eye Gallery, Liverpool
September 18 - November 29
"Making Africa, A Continent of Contemporary Design" Guggenheim, Bilbao
October 23, 2015 - February 21, 2016
As a self-taught artist, Männikkö counts few stylistic precedents or influences, and though his interest in the residue of everyday life is the foundation of his image making, his formalism lends itself to metaphoric or existential modes of interpretation. Time Flies includes a range of images – abandoned cars, cemetery portrait sculpture, discarded family photographs - whose subjects bear witness to the passage of time and serve as a poignant meditation on the inevitable collapse of all material things, human or inanimate. Esko Männikköʼs gallery and museum installations place his photographs abutted together to form a single line through the exhibition space, in a variety of ornate, patinaed frames carefully selected to complement the details or subjects of his images. |
Affordable New York traces over a century of affordable housing activism, documenting the ways in which reformers, policy makers, and activists have fought to transform their city. A focus on current and future housing initiatives demonstrates how New Yorkers continue to promote subsidized housing as a way to achieve diversity, neighborhood stability, and social justice.
Artists both native to Nebraska and those traveling through have been struck by the vast land and sky of the prairies. This exhibition focuses on works that utilize large-scale formats to capture that seemingly limitless sensation as well as the intricacies that lie therein.
NO MOUNTAINS IN THE WAY, 40 YEARS LATE, KANSAS DOCUMENTARY PHOTOGRAPHY, WICHITA ART MUSEUM, KANSAS
September 12, 2015 - January 3, 2016
James Enyeart, Terry Evans, and Larry Schwarm--artists who have attained considerable achievement in the intervening decades--each examined particular aspects of the Kansas rural environment. Their collective visions combined to poetically reflect place, culture, and custom in Kansas.
Juxtaposing tradition with innovation, this exhibition presents painting, photography, and video by artists from Israel, Holland, Canada, and the United States who build on, respond to, and transform the time-honored tradition of still life through the lens of the 21st century. |
May 1 - November 1, 2015.
Isibonelo/Evidence, is the most comprehensive museum exhibition to date in the United States devoted to the critically acclaimed South African artist. The show comprises eighty-seven pieces created between 2007 and 2014, including the renowned Faces and Phases series, an ongoing portrait project that documents the breadth of identities contained within the LGBTI communities of South Africa.
CURRENT GROUP EXHIBITIONS:
Storylines: Contemporary Art at the Guggenheim, New York, 5 June to 9 September
Read more.
The Order of Things at The Walther Collection, Ulm, Germany through 9 October, 2015
Read more.
Wellcome Collection's The Institute of Sexology, London through September 20, 2015 Read more.
Beastly / Tierisch, Fotomuseum Winterthur, Switzerland. May 30 through October 4, 2015. Read more.
Faces Then Faces Now, European Portrait Photography since 1990, Nederlands Fotomuseum Rotterdam, Holland. May 30 through August 23, 2015. Read more.
RETROSPECTIVE AT MAXXI, ROME
May 28th - October 11th, 2015.
A major retrospective that frames, through six sections and over 70 works, the diverse themes or areas of research around which Olivo Barbieri has developed his artistic work. Photographs and films illustrate the photographer's career from the late 1970s to the present. Read more.
OLIVO BARBIERI, FOTOGRAFIA EUROPEA, REGGIO EMILIA
May 15 - July 26, 2015
Gathered from his travels through Europe, Japan, China, Cairo, and the US, the series ERSATZ LIGHTS represents Barbieri's night photography from the 1980s until now.
Time Flies - A Highlight
May 17 - September 27, 2015
Press release
Black is the Day, Black is the Night is a conceptual exploration into the many facets of human identity using notions of time, accumulation, memory and distance through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of which had served between 13-26 years at point of contact. The show opens May 8th and runs through July 5th.
May 3 - September 13, 2015
The Memory of Time: Contemporary Photographs at the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund. This exhibition explores the work of twenty-six contemporary artists—such as Sophie Calle (b. 1953), Adam Fuss (b. 1961 ), Vera Lutter (b. 1960), Sally Mann (b. 1951), Christian Marclay (b. 1955), and Carrie Mae Weems (b. 1953)—who investigate the complex and resonant relationship of photography to time, memory, and history.Read more.
THE MILAN TRIENNIAL, MILAN
April 9 - November 1, 2015
Curated by Germano Celant, Arts & Foods focuses on those visual, sculptural and environmental forms that have revolved around the world of food since 1851, the year of the first Expo in London.
THE GEORGE EASTMAN HOUSE, ROCHESTER NY
May 9 - September 6, 2015
In the Garden traces how photography has been used to document humans' relationship to nature since the invention of the medium.
ONGOING
Featuring over 200 photographs from the artist's eight-year worldwide survey of the globe's pristine landscapes, wildlife, and indigenous peoples. The exhibition has previously traveled throughout Europe and South America:
CaixaForum, Palma, Spain February 25 to May 31,2015
A Cordoaria Nacional, Lisbon, Portugal April 8 to August 2, 2015
Amerika Haus, Berlin, Germany April 17 to August 18, 2015
Forti di Bard, Aosta, Italy May 9 to September 30, 2015
CaixaForum, Zaragosa, Spain June 18 to October 12, 2015
THE SALT OF THE EARTH
Select theatrical release in New York and Los Angeles
Co-directed by Wim Wenders and Juliano Ribeiro Salgado, the Oscar-nominated documentary recounts Salgado's career, from images of the Boschian nightmare of Brazil's Serra Pelada gold mines to shots of the mid-1990s Rwandan genocide to Sebastião's most recent project, Genesis ,which captures pristine, grandly scaled landscapes throughout the world.
Works by Helen van Meene are included in this show curated by Frits Gierstberg currently showing at the Centre for Fine Arts in Brussels. FACES NOW: European Portrait Photography since 1990 brings together some of the best examples of modern portrait photography from over 30 of the top artists working today including Thomas Struth, Juergen Teller, and Tina Barney. The show runs through May 17th, 2015. Read more.
Works by Helen van Meene are included in this show curated by Frits Gierstberg currently showing at the Centre for Fine Arts in Brussels. FACES NOW: European Portrait Photography since 1990 brings together some of the best examples of modern portrait photography from over 30 of the top artists working today including Thomas Struth, Juergen Teller, and Tina Barney. The show runs through May 17th, 2015. Read more.
Features work in a variety of media all dealing with the historical cultural phenomenon of the carnival sideshow, from lowbrow vernacular signage and folk sculpture to contemporary fine art by established artists. Artists include Diane Arbus, Arnold Mesches, John Waters, Joe Coleman and over seventy others. See here for much more information. Read more.
A rotating selection of Muholi's photographs and over 400 works by 200 other artists, architects, and designers in the group show Une Histoire, Art, Architecture et Design Des Annees 80 a Aujoudhui concentrating on art, architecture, and design from the 1980s to today runs through March 2016. Read more.
Work by Lisa Kereszi is included in the show Coney Island: Visions of an American Dreamland, 1861-2008 on view now at the Wadsworth Museum of Art in Hartford Connecticut through May 31st, 2015. This multimedia show chronicles the rise and fall of the "World's Greatest Playground" located on the shores of Brooklyn, New York. Kereszi's color photographs from the early 2000s document the final stages of the park's decay through her focused attention to often overlooked details. Read more.
Olivo Barbieri will participate in the panel Photography and the City at the School of Architecture and Landscape Architecture at University of British Columbia on November 1 from 1-5pm. The panel will be moderated by ICP curator Christopher Phillips and include Barbieri, Greg Girard, Leo Rubinfien, and Guy Tillim.
The exhibition David Maisel/Black Maps: American Landscape and the Apocalyptic Sublime opens at the University of New Mexico Art Museum on Friday, September 12, 2014. The exhibition was organized by and traveled from the University of Colorado Art Museum, and will be on view in the Main Gallery and Clinton Adams Gallery at UNM Art Museum through December 20, 2014.
The Amon Carter Museum of American Art has commissioned over 40 large-scale photographs by Terry Evans for their exhibition, Meet Me at the Trinity, on view August 30 - January 25, 2015. The solo exhibition addresses the culture of the Trinity River in Fort Worth, Texas, focusing especially on the people drawn to its banks.
Work by Zanele Muholi is included in the group exhibition, Contemporary Art / South Africa, at the Yale University Art Gallery, on view through September 14, 2014. The exhibition features work produced in South Africa or by South Africans over the past fifty years, and includes Muholi, William Kentridge, Robin Rhode, and Santu Mofokeng, among others.
Work by Victoria Sambunaris is included in the exhibition Desert Serenade: Drones, Fences, Cacti, Test Sites, Craters and Serapes, on view through August 31 at the Lannan Foundation Gallery in Santa Fe, NM. The group exhibition features work by Sambunaris, Trevor Paglen, James Turrell, Renate Aller, Subhanker Banerjee, Tom Miller, and Emi Winter. The gallery will host an artist's reception on Saturday, August 9 from 5-7pm.
Jitka Hanzlova and Olivo Barbieri are included in 2004–2014: The Museum of Contemporary Photography's ten years: works and projects, which celebrates the tenth anniversary of the museum, part of the Triennale di Milano. On view from July 3 - September 10, 2014.
Work by Laura Letinsky will be included in the group exhibition, Convergences: Selected Photographs from the Permanent Collection at the Getty Museum, on view July 8 - October 19, 2014, featuring Letinsky, Vera Lutter, Loretta Lux, Cindy Sherman, and James Welling, among others.
Andrew Moore has been awarded a 2014 John Simon Guggenheim Fellowship for his photographic series, Dirt Meridian, recently on view at the gallery. The project centers around the 100th meridian west, the longitudinal line which runs through North and South Dakota, Nebraska, Kansas, Oklahoma, and Texas, and is historically regarded as the geographic beginning of the American West.
Amy Elkins has won the 2014 Aperture Portfolio Prize. The Aperture Foundation editorial and limited-edition staff reviewed close to one thousand entries before selecting Elkins' two submitted portfolios, Parting Words and Black is the Day, Black is the Night, for the top prize. The artist will receive a cash award and an exhibition at the Aperture Gallery in New York.
Work by Zanele Muholi will feature in the group exhibition Apartheid & After at the Huis Marseille, Museum for Photography in Amsterdam, opening on March 15 and on view through June 8, 2014. Other exhibiting artists include David Goldblatt, Pieter Hugo, Daniel Naude, Guy Tillim, Mikhael Subotzky, and Jo Ractliffe, among others.
Bryan Graf: Moving Across the Interior, the artist's first solo museum exhibition, is currently on display at the ICA at Maine College of Art in Portland, ME, through April 6, 2014.
A solo exhibition of Zanele Muholi's work is on display at the Williams College Museum of Art in Williamstown, MA, through April 27, 2014, featuring photographs from three separate bodies of work: Faces and Phases (2006-ongoing), Beulahs (2006-2010), and Being (2007).
Esko Männikkö: Time Flies, the artist's first museum retrospective, is on display at Kunsthalle Helsinki through March 2, 2014, and is scheduled to travel to Europe and the United States through 2016.
A solo exhibition of Andrew Moore's work in Russia and Detroit, entitled East/West, is on display at the List Gallery, Swarthmore College in Swarthmore, PA through February 26, 2014.
Works from Olivo Barbieri's Stadi series are included in the exhibition Calcio d'inizio at Fondazione Sandretto Re Rebauden in Torino, Italy, through February 23, 2014.
Gallery artist Zanele Muholi presents an installation of 48 portraits from her acclaimed Faces & Phases series at the 2013 Carnegie International survey of contemporary art, through March 16, 2014 at the Carnegie Museum, Pittsburgh.
A two-person exhibition, Old Dreams, New Dreams, featuring the work of Dutch photographers Ata Kando and Hellen van Meene, is currently on display at Museum Kranenburgh in Bergen, the Netherlands, through November 1. Work by van Meene also is included in the group show, de herontdekking van de wereld (the rediscovery of the world), at the Huis Marseille Museum for Photography, Amsterdam, through December 8.
An ongoing exhibition, Still Lives: Early Works by Sharon Core, is currently on display at the Mint Museum in Charlotte, North Carolina, featuring photographs from two of Core's early bodies of work, Eating and The Overtoom Squatters.
Lisa Kereszi's exhibition, Joe's Junk Yard & Other American Dreams, curated by Rebecca Soderhold, is on display through October 11 at Drew University's Korn Gallery.
Work by Rachel Perry is included in the group show, (con)TEXT, at the Sharon Arts Center, New Hampshire. The exhibition will be on display through October 25 and will include a lecture by curator Tim Donovan on Thursday, September 19, from 5-6:30pm.
Zanele Muholi will be featured in the South African Pavilion at the 2013 Venice Biennale, curated by Brenton Maart, with the theme Imaginary Fact: South African Art and the Archive. She is included in All You Need is Love at the Mori Art Museum, Tokyo (April 25 - Sept 1), and has been selected for the 2013 Carnegie International survey of contemporary art, opening October 4.
Work by Amy Elkins is featured in the exhibition Face It, at the Rockland Center for the Arts, in West Nyack, NY, on display through April 14. The exhibitions of photographic portraiture features artists who blur the line between editorial photography and fine art, and includes Valerie Belin, Robert Bergman, Elkins, Jill Greenberg, Steve Pyke, Tomoko Sawada and Martin Schoeller. Work from Elkins' series Wallflowers was also recently acquired by the North Carolina Museum of Art.
Work by Lynn Saville is featured in PHOTO ID, a group exhibition at the Santa Cruz Museum of Art & History, on display through July 7. The exhibition of photographs explores the theme of identity through the lens of self, society, and gender.
Victoria Sambunaris: Taxonomy of a Landscape is on view currently at the Museum of Contemporary Photography, Chicago through March 31, 2013. A public reception with the artist will be held at the museum on February 7 from 5-7pm. The exhibition originated at the Albright-Knox Art Gallery in Buffalo, NY and is generously supported by the Lannan Foundation, Santa Fe, NM.
Laura Letinsky: Ill Form & Void Full is on view currently at The Photographers' Gallery in London through April 7, 2013. An exhibition of the artist's work is also on view in Laura Letinsky: Still Life Photographs 1997-2012 at the Denver Art Museum through March 24, 2013.
Zanele Muholi is included in The Progress of Love, a collaboration between The Menil Collection, Houston, the Centre for Contemporary Art, Lagos, Nigeria, and the Pulitzer Foundation for the Arts, St. Louis, MO. On view at The Menil Collection through March 17, 2013.
Heartland: The Photographs of Terry Evans is on view currently at the Nelson-Atkins Museum of Art in Kansas City, MO. The exhibition is the first career retrospective of Evans' work and includes over 100 color and black-and-white photographs from 1971 to the present. The exhibition is accompanied by a fully illustrated, 250 page exhibition catalogue.
Work by David Hilliard and Rachel Perry is included in Stocked: Contemporary Art from the Grocery Aisles, at the Ulrich Museum of Art in Wichita, Kansas, on view through April 14, 2013. The exhibition presents work of contemporary artists who use the grocery store and consumption as their subject and will travel the United States following its Ulrich debut.
Detroit Disassembled: Photographs by Andrew Moore is on view currently at the National Building Museum in Washington, D.C. through February 18, 2013. The exhibition was organized by the Akron Art Museum and has previously traveled to the Queens Museum of Art, Queens, NY.
The Space in Between, an exhibition featuring the work of Lynn Saville, was recently on display at the Photographic Resource Center at Boston University, and is now on view at the Atlantic Wharf's Waterfront Square Gallery in Boston through March 22, 2013.
Mark Steinmetz will participate in the Photographer's Lecture Series at the International Center for Photography on March 27, 2013 from 7-9pm. Tickers for the lecture are limited and are available through ICP.
Bryan Graf's second full-scale gallery exhibition, Broken Lattice, will open at Yancey Richardson Gallery on April 11, 2013, featuring a series of new photograms and camera-less images created in the artist's studio and in the field. The exhibition will coincide with the release of the artist's first book, Wildlife Analysis, published by Conveyor Arts.
Yancey Richardson Gallery will participate in the Centennial Edition of The Armory Show on Pier 94 from March 7-10, 2013. Additionally, YRG will participate in the AIPAD Photography Show at the Park Avenue Armory from April 4-7, 2013.
Alex Prager's photograph, Crowd #1 (Stan Douglas), is currently on display at the San Francisco Museum of Modern Art. The work was acquired by the museum in 2011.
On Tuesday, October 9, Andrew Moore will lecture at SVA Theater with poet Philip Levine, the 2011-2012 Poet Laureate of the United States. A Detroit native, Levine wrote the introduction to Moore's book, Detroit Disassembled.
On Wednesday, October 10, 6 – 8 p.m., Yancey Richardson Gallery hosts a book signing of Moore's his new lavishly-scaled monograph, Cuba.
Moore's traveling museum show, Detroit Disassembled, is on view at the National Building Museum in Washington, D.C., through February 18, 2013.
A retrospective of Laura Letinsky's still life photographs from the past 15 years will be on display at the Denver Art Museum from October 28, 2012 – March 24, 2013. The exhibition traces Letinsky's photographs as they have evolved from studies in melancholy and absence to explorations of perception, color and space. The artist's new collage based still-life series, Ill Form & Void Full, is currently on display at Yancey Richardson Gallery, through October 20, 2012.
Jitka Hanzlova will give a lecture at International Center of Photography (ICP) on Wednesday, October 24, 2012. Hanzlova's first full gallery exhibition at Yancey Richardson will open the following day, Thursday, October 25, 6-8pm. The exhibition, There is something I don't know, will feature a series of new works by the artist inspired by Renaissance portraiture.
Alex Prager's first solo museum show is on display at FOAM Fotografiemuseum Amsterdam through October 14, 2012. Prager was the 2012 winner of the FOAM Paul Huf Award, a prize organized by the museum and awarded annually to a young photographer. The exhibition includes Prager's new series, Compulsion, as well as the artist's new film, La Petite Mort.
Sharon Core's first monograph, Sharon Core: Early American, is scheduled for release this November by Radius Books. Core's Early American series, inspired by the paintings of American still-life painter Raphael Peale, is a brilliant exploration of trompe l'oeil's relationship to photography, and of photography's relationship to the past.
Jitka Hanzlova's traveling museum retrospective will be on display at the Scottish National Portrait Gallery from October 17, 2012 – February 3, 2013. Organized by Fundacion MAPFRE in collaboration with the National Galleries of Scotland, the exhibition includes over 100 works from the last twenty years of Hanzlova's practice.
The Museum of Fine Arts, Boston is currently displaying Rachel Perry's photograph, Lost in My Life (Fruit Stickers), as a part of the museum's permanent collection new acquisitions exhibition in the Linda Family Wing for Contemporary Art.
Alex Prager's New York Times Magazine series, Touch of Evil, has been nominated for the 33rd Annual News & Documentary Emmy Awards in the "New Approaches to News & Documentary Programming: Arts, Lifestyle & Culture" category. The series of portraits and short films features Oscar nominated actors reprising roles of infamous Hollywood villains.
Work by Olivo Barbieri is included in the group exhibition NEON: La Materia Luminosa dell'Arte at the Museo d'Arte Contemporanea Roma, on display through November 4, 2012. Co-organized with Paris' Maison Rouge, the exhibition explores the concept of light and energy in the language of art.
Lisa Kereszi's solo exhibition, The Party's Over, will open at Yancey Richardson Gallery on May 24, 2012. Her work is currently on display in Beyond Words: Photography in the New Yorker, at the Ullens Center for Contemporary Art in Beijing, China from April 15 – June 10, 2012. Additionally, Kereszi's 4th book, Joe's Junk Yard, will be published by Damiani this Fall, and distributed by DAP. A solo exhibit, Joe's Junk Yard, will be on display at Metronom in Modena, Italy from September 14-16 as part of the Festival Filosofia.
A major retrospective of over 150 photographic works by Jitka Hanzlová will be on display at the Fundación Mapfre in Madrid, Spain from May 31 – September 2, 2012. The solo exhibition will feature work from several of Hanzlová's photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.
Rachel Perry's video, Karaoke Wrong Number, is currently on view as part of the exhibition ICA Collection Photography Rotation at the Institute of Contemporary Art, Boston. Welty's traveling solo museum show is on display at the Zimmerli Museum in New Brunswick, New Jersey through July 8, 2012. Additionally, a two-person collaboration with Sarah Hollis Perry (the artist's mother), called water, water, will be on display at Cape Ann Museum, Gloucester, MA from July 14 – September 23, 2012.
Sharon Core's work is currently on display in the exhibition San Antonio Collects: Contemporary, at the San Antonio Museum of Art through July 1, 2013. The exhibition recognizes the role San Antonio collectors have played in shaping the city's evolution as an art destination, and features work from each of Core's three major series: Thiebauds, Early American and 1606-1907.
Work by Andrew Moore is featured in the photographic survey An Orchestrated Vision: The Theater of Contemporary Photography, on display at the St. Louis Art Museum through May 13, 2012. Moore's work is also featured in Structuring Nature, on display at the Joy Pratt Markham Gallery in the Walton Arts Center, Fayetteville, Arkansas from May 3 – June 30, 2012. Additionally, the artist's new book, Cuba: Photographs by Andrew Moore (1998-2012), will be released in August.
Works from Bryan Graf's Wildlife Analysis and Lattice (Ambient) series will feature in the upcoming exhibition, Second Nature: Abstract Photography Then and Now, at the DeCordova Museum and Sculpture Park, on display from May 26, 2012 – April 21, 2013. Additionally, Graf will feature in Light Matter, an exhibition at the Pelham Art Center from May 4 – June 21, 2012. Graf is also co-curating and will have work featured in the exhibit Swamp Thing, at Bodega in Philadelphia, PA, on display from May 4 – June 10, 2012.
A solo exhibition of Laura Letinsky's work will be exhibited at the Osthaus Museum in Hagen, Germany from August 8 - September 30, 2012. Solo exhibitions of Letinsky's new series Ill Form & Void Full will be on display this fall at Yancey Richardson Gallery and Valerie Carberry Gallery in Chicago. Additionally, a solo exhibition of Letinsky's work will open at the Denver Art Museum in October 2012.
Works by David Hilliard will feature in the upcoming exhibition Do or Die: The Human Condition in Painting and Photography at the Wallraf-Richartz Museum and Teutloff Collection in Dresden, Germany, from September 21, 2012 – April 7, 2013. Hilliard's work was recently in Shared Vision: The Sondra Gilman and Celso Gonzalez-Falla Collection of Photography at the Aperture Foundation Gallery. The exhibition was accompanied by a fully illustrated catalog published by MOCA and produced by Aperture Foundation.
Mark Steinmetz has released three new books in 2012, including Summertime, published by Nazraeli, idyll (with Raymond Meeks) and pastoral, both limited edition books published by Silas Finch. In 2011, TBW Books published Philip and Micheline, a book about the artist's parents. Additionally, Steinmetz's book The Ancient Tigers of My Neighborhood (Nazraeli) was nominated by Robert Adams as a best book of 2010 at the Kassel Photobook Festival.
Mitch Epstein recently collaborated with cellist Erik Friedlander on a limited edition LP based on music composed for a presentation Epstein made last summer at the Arles Photography Festival. Additionally, Epstein and Tate Museum curator Simon Baker will discuss Epstein's photography as a part of the Prix Pictet Conversations on Photography, at Whitechapel Gallery in London on Saturday, May 12 at 4:30 pm.
Princeton Architectural Press recently released Alex Maclean's newest book, Up on the Roof: New York's Hidden Skyline Spaces. In the book, Maclean directs his lens at the rarely seen "top floor" of New York City and reveals a hidden world of amazing complexity, diversity and life. Alongside the city's famous water towers are pools, sunbathers, tennis courts, art, restaurants, gardens, and solar panels.
A solo exhibition featuring Laura Letinsky's newest series, Ill Form & Void Full, will open at the Museum of Contemporary Art, Chicago on February 7. The exhibition, entitled Chicago Works: Laura Letinsky, will be on display until April 17.
Bertien van Manen's series Let's sit down before we go, currently on display at the gallery, will be shown in it's entirety at FOAM Photography Museum in Amsterdam, Netherlands, from March 19 - June 24. Taken in and around Russia between 1990-2008, van Manen's photographs capture her subjects at leisure with friends and family, reflecting an intimate celebration of the country's richness and humanity.
Rachel Perry's solo show, 24/7, will be on display at the Jane Voorhees Zimmerli Art Museum, New Jersey, from January 28 - July 1. Originally organized by the DeCordova Sculpture Park and Museum, Massachusetts, this 10-year traveling survey of the artist's diverse practice features drawing, sculpture, collage, installation, video, photography, and performance.
Works from Amy Elkins' new project Elegant Violence will feature in The Sports Show, a group exhibition at the Minneapolis Institute of Art, opening February 19. The exhibition will explore the role of photography in the transformation of sports from leisure activity to massive worldwide spectacle.
Additionally, a two-person exhibition - Jen Davis and Amy Elkins: Looking and Looking - will be on display at Light Work, in Syracuse, NY from January 17 through March 13.
Seven works by Alex Prager will feature in State of the Art - New Contemporary Photography, at NRW-Forum in Dusseldorf, Germany, opening February 4, in conjunction with the release of a book of the same title published by Feymedia for international distribution.
Works by Andrew Moore and Hellen van Meene are featured in the upcoming exhibition, An Orchestrated Vision: The Theater of Contemporary Photography, on display at the St. Louis Art Museum from February 19 – May 13. The museum's photographic survey includes Moore, van Meene, Edward Burtynsky, Gregory Crewdson, Nan Goldin, Andreas Gursky, Taryn Simon, Thomas Struth, and Larry Sultan, among many others.
Jitka Hanzlova, currently making her debut exhibition at the gallery, is featured in the exhibition Photography Calling! at the Sprengel Museum, Hannover, Germany, on display through January 15. Works by Hanzlova are included alongside Diane Arbus, William Eggleston, Robert Adams and Thomas Struth, among others.
Work by Victoria Sambunaris will feature in the upcoming exhibition, Photography in Mexico: Selected Works from the Collections of SFMOMA and Daniel Greenberg and Susan Steinhauser, on display at SFMOMA from March 10 – July 8. Work from Sambunaris' acclaimed series The Border is included in the exhibition, which explores the rich and diverse tradition of Mexican and international photographers working in Mexico since the 1920s.
Work by Olivo Barbieri will be exhibited in a group show of Italian photograhers at Hunter College, opening February 3. The exhibition, Peripheral Visions: Italian Photography in Context, 1950s-Present, explores marginalized elements of the industrial Italian landscape. The exhibition is on view at the Bertha and Karl Leubsdorf Art Gallery at Hunter College through April 28, 2012.
Work by Sharon Core is featured in a three-person exhibition, Nature Morte: Contemporary Still Life Photography, at The Horticultural Society of New York, on display through February 10. The exhibition highlights the work of Core, Corin Hewitt, and Miranda Lichtenstein, each of whom utilize the tradition of still life as part of their artistic process.
Tom Hunter's work is on display in Another Story: Photography from the Moderna Museet Collection in Stockholm, Sweden, through February 19. Subtitled Written in Light, this exhibition of the museum's holdings features works from the birth of photography until 1930, interspersed with contemporary work such as Hunter's Vale of Rest, which examines the post-industrial urban landscape at the turn of the millennium.
Mike Smith was recently selected as a United States Artist Fellow, one of 50 American artists working in the performing, media, visual and literary arts to receive a $50,000 grant from the organization USA Fellows. Smith is one of only six visual artists to be selected as a USA Fellow this year.
Victoria Sambunaris' first solo exhibition at a major American museum opened on Friday, October 21 at the Albright-Knox Art Gallery in Buffalo, NY. Presented in conjunction with the Lannan Foundation in Santa Fe, NM, the exhibition, Taxonomy of a Landscape, features over forty works from the artist's wide-ranging examination of the American landscape at the intersection of civilization, geology and natural history. The exhibition also includes a comprehensive archival installation recording the artist's travels.
Sharon Core's exhibition - 1606-1907 - opens at the gallery on Thursday, October 27th, and will feature new photographic works that explore the subject of floral still-life painting. Similar to the artist's earlier work, the series examines the relationship of representational painting to the medium of photography. But rather than focusing on a specific artist or time period, as in the previous Thiebaud and Early American works, the new series references a pictorial convention within painting as a whole. The exhibition will be on display until December 23.
We are delighted to announce that internationally acclaimed photographer Jitka Hanzlova has joined the gallery. Czech-born and based in Germany, Hanzlova has exhibited widely in Europe. She has been the subject of solo exhibitions at the Fotomuseum Winterthur, the Stedelijk Museum, Amsterdam and the Museum Folkwang, Essen and nominated for the Citibank Photography Prize in 2000 and 2003. In 2007, she won the BMW Paris Photo prize for contemporary photography. In 2012 the gallery will present Hanzlova's first exhibition in the United States since 2000.
Nine works by Alex Prager will be featured in a major group exhibition at the Kunsthalle Wien, Vienna, opening November 11. The exhibition - No fashion, please! - explores the dialectics between the form of the body and its appearance, and will feature Prager, Philip-Lorca diCorcia, Erwin Olaf, and Viniane Sassen, among others.
Mitch Epstein's acclaimed series American Power is the subject of a solo exhibition at the Musee de l'Elysee, Lausanne, Switzerland through November 20. Epstein was awarded the prestigious Prix Pictet Photography Prize for American Power, a series that examines the production and consumption of energy in the United States and its impact on society and the American landscape.
Andrew Moore's solo exhibition - Detroit Disassembled - is on display at the Queens Museum of Art through January 15, 2012. The exhibition features over thirty large-scale photos examining the current state of the Motor City, with a selection of photos from previous bodies of work hanging the museum's mezzanine. Additionally, the Boston Museum of Fine Arts recently acquired three works, one each from Moore's major series': Detroit, Cuba, and Russia.
Bertien van Manen's exhibition - Let's sit down before we go - will open at the gallery on January 5, 2012, in conjunction with the release of a book of the same title, published by Mack Books. The series was shot in present-day Russia between 1991-2009.
Tom Hunter's project - Unheralded Stories - is on display at the Warwick Arts Centre in Coventry, England through December 10. The series continues the artist's exploration of the Hackney neighborhood of East London through the imagery of iconic paintings, referencing artists like Delacroix and Wyeth to describe the local myths, struggles and dreams of his local community.
Hiroh Kikai's major solo show is traveling from the Tokyo Metropolitan Museum of Photography to Yamagata Museum of Art, opening in December. The exhibition features 180 of Kikai's photographs from the past 40 years, the majority of which are from the artist's acclaimed series Asakusa Portraits.
Gallery artists Olivo Barbieri, Mitch Epstein, and Victoria Sambunaris are included in The Altered Landscape: Photographs of a Changing Environment at the Nevada Museum of Art, opening September 24th and running through January 8, 2012.
An exhibition of works from Terry Evans' series Matfield Green Stories is on display at the Ulrich Museum of Art at Wichita State University, through November 27, 2011.
The tiny town of Matfield Green, located in the Flint Hills of Kansas, is the subject of Evans' series of aerial landscapes and intimate portraits of the town's 50 residents.
Mitch Epstein's acclaimed series American Power is currently on display in Paris at the Henri Cartier-Bresson Foundation, through July 24, and is also included in New Documentary Forms at the Tate Modern in London, through March 31, 2012.
Andrew Moore's solo show - Detroit Disassembled - travels to the Queens Museum of Art this fall. The show opens August 28 and runs through January 15, 2012. Additionally, the Colby Museum of Art is presenting their extensive holdings of Moore's Detroit series in an exhibition scheduled to coincide with their show American Modern: Abbott, Evans, Bourke-White, which opened July 9.
Alex Prager's photograph Crowd #1 (Stan Douglas) has been acquired by the Moderna Museet, Stockholm. The piece is currently on display in the museum's exhibition Another Story: Possessed by the Camera, Photography from the Moderna Museet Collection.
Olivo Barbieri's site specific_CHICAGO 10 series is on display at the Venice Biennale (Italian Pavilion), through November 27. This is the third showing of the artist's work at the Biennale. Barbieri's new series The Dolomites Project was the subject of a solo show this spring at the Museo d'arte moderna e contemporanea di Trento e Rovereto (MART), Italy.
Rachel Perry's solo exhibition - 24/7 - at the Decordova Museum and Sculpture Park, was recently reviewed in Art in America. The exhibition travels to the Jane Voorhess Zimmerli Art Museum at Rutgers University in January 2012.
Laura Letinsky's solo exhibition at the North Dakota Museum of Art opened June 21 and runs through September 11. A major mid-career survey, the exhibition features over thirty photographs from the artist's work from the last fifteen years.
Work from Sharon Core's Early American series is featured in the Everson Museum of Art exhibition Still Life: Revisited, which opened June 25 and runs through September 11.
Bertien van Manen's new book - Let's sit down before we go - is scheduled for release in November 2011 through Mack Books, in conjunction with an exhibition of the artist's work at the gallery.
Hiroh Kikai's work A performer of butoh dance, from the Persona/Asakusa Portrait series, has been acquired by the Mead Art Museum at Amherst College, Amherst, MA.
The artist's work is in the collection of the Houston Museum of Fine Art, Philadelphia Museum of Art, International Center of Photography, and Tokyo Metropolitan Museum of Photography, among others.
Hellen van Meene's work Untitled #301, from the Pool of Tears series, has been acquired by the Boston Museum of Fine Art.
The artist's photographic portraits are in the collection of the Guggenheim Museum, New York, Museum of Contemporary Art, Los Angeles, SF MOMA, Stedelijk Museum, Amsterdam, and the Victoria & Albert Museum, London, among many others.
Gallery artists Mitch Epstein, David Hilliard, Lisa Kereszi, Andrew Moore, Alex Prager, and Victoria Sambunaris are all included in People Power Places: Reframing the American Landscape, a group exhibition at Davidson College, North Carolina, on view through March 6, 2011.
Gallery artists Mitch Epstein, David Hilliard, Kenneth Josephson, Laura Letinsky and Hellen van Meene are all included in Conversations: Photography from the Bank of America Collection, a group exhibition at the Museum of Fine Art in Boston, on display through June 19, 2011. The exhibition also features works by Eugène Atget, Alfred Stieglitz, Paul Strand, László Moholy-Nagy, Man Ray, Robert Frank, Diane Arbus, Irving Penn, Cindy Sherman, Bernd and Hilla Becher, Vik Muniz, and Richard Misrach, among others.
Works from Olivo Barbieri's site specific_MONTREAL 04, and site specific_LAS VEGAS 05 will be on display at the San Francisco Museum of Modern Art (SFMOMA) in the upcoming exhibition ParaDesign, on view from February 25th to June 19, 2011.
Andrew Moore's photograph Model-T Headquarters was selected as the cover image for the January issue of Art in America. The photograph, from Moore's Detroit series, accompanies the issue's cover story, "End Times Photography" by Max Kozloff.
In Fall 2011, Moore's solo museum show, Detroit Disassembled, will travel from the Akron Art Museum to the Queens Museum of Art.
Collaborative duo Kahn & Selesnick are currently exhibiting two bodies of work at the Museum of Contemporary Photography in Chicago. The Apollo Prophecies and Mars: Adrift on the Hourglass Sea are on display through April 3, 2011. On Thursday, March 10, Nicholas Kahn and Richard Selesnick will give a lecture at the museum that provides an overview of their more than twenty year collaboration.
24/7, Rachel Perry's first solo museum show will be on display at the deCordova Sculpture Park and Museum from January 29 until April 24, 2011. The exhibition will feature Welty's major works in drawing, sculpture, collage, installation, video, photography, and social media. For more information about the deCordova Museum, click here.
The Yancey Richardson Gallery will participate in the first ever VIP Art Fair, between Jan 22-30, 2011. The fair, which stands for Viewing In Private, will take place entirely online, and will include 140 of the world's top art galleries. For more information and instructions to view works, click here.
The gallery will also participate in The Armory Show from March 2-6 and AIPAD, from March 17-20, 2011.
Tom Hunter's recent film, A Palace for Us, weaves together memories of older residents who grew up on the Woodberry Down estate in Hackney, east London. The work was commissioned as part of the Serpentine Gallery's Skills Exchange Project.
Tom Hunter: a journey through a Hackney landscape BBC News, November 25, 2010
Tom Hunter: A Palace for Us - review The Guardian, December 9, 2010
Victoria Sambunaris has been named a recipient of two major artist grants from Anonymous Was a Woman Foundation and Aaron Siskind Foundation.
For more information about the Anonymous Was A Woman Awards, click here, and the Aaron Siskind Foundation, click here.
Olivo Barbieri will open an exhibition of new work at the Museo d'arte moderna e contemporanea di Trento e Rovereto on February 12 – May 1, 2011. The exhibition will feature a selection of images from Barbieri's DOLOMITES PROJECT 2010, as well as a film the artist made in that mountainous region of Northern Italy.
Several large-scale photographs and a short film by gallery artist Alex Prager will feature in MOMA's prestigious New Photography 2010, opening to the public on September 29th.
Aperture and the Photography Program in the School of Art, Media, and Technology at Parsons The New School for Design present the latest installment of the Parsons Lecture Series: photographer Alex Prager in conversation with gallerist Yancey Richardson.
Thursday, September 30, 2010, at 6:30 pm. FREE
Aperture Gallery & Bookstore
547 West 27 Street, 4th floor
New York, New York
Photographs by gallery artists Mitch Epstein, Alex Prager, and Bertien van Manen are currently on display in Embarrassment of Riches: Picturing Global Wealth, a new exhibition at the Minneapolis Institute of Arts, open through January 2, 2011.
Allure, Lisa Kereszi's solo show at Hagedorn Foundation Gallery opens September 30th. The artist will be present the evening of the opening for a gallery talk.
Kereszi is also participating in Group Shows at Biblioteca Civica d'Arte Luigi Poletti during September, at Showtime Show House (Cassa, Gramercy Park, NYC) through October 22nd, at Gallery Out of Place (4-14-2 3F Minamiazabu Minato-ku, Tokyo, Japan) through October, and at Pool Gallery in Berlin from Nov. 19- Jan. 15, 2011.
La Defense and Seine Arche have chosen to highlight the work of Alex MacLean, in the framework of the theme of the Venice Architecture Biennale: "People meet in architecture".
Alex's aerial photographs of La Defense, Seine Arche, and the historical axis leading from the Louvre focus on the close relationship between the city's royal core and the modern urban architecture nearby.
Gallery artists Sharon Core and Laura Letinsky will exhibit their work and give public lectures as part of Object Lesson, a still-life show curated by New Yorker critic Vince Aletti, one of several shows that make up this year's New York Photo Festival (May 12 - 16).
Letinsky will be speaking on Thursday, May 13 at 2pm at St. Ann's Warehouse, 38 Water Street, between Main Street and Dock Street, Brooklyn, NY 11201. Core will be speaking on Saturday, May 15 at 2pm, also at St. Ann's Warehouse.
Alex Prager has been selected as one of four artists to be included in the prestigious New Photography 2010 at MOMA, opening September 29, 2010.
Andrew Moore's photographs of the Motor City are sublime—beautiful, operatic in scale and drama, tragic yet offering a glimmer of hope. They are the subject of Detroit Disassembled, an exhibition organized by the Akron Art Museum making its debut there before touring nationally. Detroit, once the epitome of our nation's industrial wealth and might, has been in decline for almost a half-century. The city is now one-third empty land—more abandoned property than any American city except post-Katrina New Orleans.
The Museum of Modern Art and The Whitney Museum of American Art have both recently acquired photographs by Alex Prager for inclusion in their permanent collections. Additionally, the North Carolina Museum of Art has also recently acquired Prager's work.
Fine Art publisher Damiani and the Akron Art Museum have released Andrew Moore's monograph Detroit Disassembled, featuring an essay by Pulitzer Prize-winning poet and Detroit native, Philip Levine.
Alex Prager's work has been selected for the group exhibition Embarrassment of Riches, opening September 17, 2010 at the Minneapolis Institute of Arts.
A selection of Sharon Core photographs are currently on display at the Minneapolis Institute of Arts, as a part of Art Remix, a new series at the museum that juxtaposes contemporary and historical works of art.
Foto Kunst Stadforum in Innsbruck, Austria is exhibiting tout va disparaître, a traveling solo show of works by Hellen van Meene, open through June 2, 2010. Originally exhibited at Yancey Richardson Gallery, tout va disparaître comprises a selection of work made in New York City, the American South, Russia, and the Netherlands between 2007 and 2009.
In conjunction with the 2010 Hollywood awards season, the New York Times Magazine commissioned Hellen van Meene for a portrait portfolio of five starlets from award nominated films. The Secret Lives of Girls includes portraits of Gabourey Sidibe (Precious), Carey Mulligan (An Education), Saoirse Ronan (The Lovely Bones), Abby Cornish (Bright Star), and Emily Blunt (The Young Victoria). The limited edition portfolio is available through Yancey Richardson Gallery.
David Hilliard was selected as the Dartmouth College Artist-in-Residence for Winter/Spring 2010. Begun in 1932, the Artist-in-Residence Program hosts three artists of distinction per year, chosen by a Studio Art faculty committee. An exhibition of Hilliard's work is on display in the Jaffe-Friede Gallery through May 2, 2010.
Completing his trilogy, South, which includes previous books South Central and South East, Mark Steinmetz releases Greater Atlanta by Nazraeli Press. Widely praised, Greater Atlanta was nominated as one of the best books of 2009 by Photo-Eye book critics, right after Looking In: Robert Frank's The Americans, Expanded Edition.
Terry Evans invited for a major retrospective show in 2012 by the Nelson-Atkins Museum of Art, Kansas City, MO.
Narrated by Dustin Hoffman, VISUAL ACOUSTICS celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. Opening October 9th at Cinema Village - 22 E 12th St, NYC.
Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? American Power is Epstein's portrait of early twenty-first-century America, as it clings to past comforts and gropes for a more sensible and sustainable future.
Mitch Epstein's works Dad, Hampton Ponds III, 2003 and Apartment 304, 398 Main Street, 2001 were recently acquired by the Brooklyn Museum are on now on exhibit at the museum in Extended Family: Contemporary Connections. Steidl has also recently released Epstein's 9th monograph, American Power.
The gallery is pleased to announce our membership in the Art Dealer's Association of America. The Art Dealers Association of America (ADAA) is a non-profit membership organization of the nation's leading galleries in the fine arts.
Gallery artist Mario Cravo Neto, critically considered among the most influential Brazilian artists of his time, died August 10, 2009 in Salvador, Bahia, after an extended illness. Cravo Neto exhibited internationally in leading museums and galleries, and festivals, among them the Palazzo Fortuny, Venice in 1988, Daros-Latin America Collection in 2003 and Rencontres d'Arles in 2005. He was the subject of exhibitions at the Museu de Arte de São Paulo (MASP), São Paulo in 1995; Photo España, Madrid,1998 and the Museo de Bellas Artes, Caracas in 2003.
Lisa Kereszi's monograph Fun and Games will be released in September 2009 by Nazraeli Press. Titled after the name of a Jersey Shore arcade and the Ancient Roman wrestling phrase, "It's all fun and games, until someone loses an eye," the book documents the artist's self-described obsession with what is hidden behind the facades of strip clubs, haunted houses and nightclubs and other places of fantasy and entertainment.
Legendary modernist photographer Julius Shulman passed away at his home on July 15, 2009. The preeminent architectural photographer of the 20th century, Shulman chronicled the Modernist landmark buildings of Southern California and elsewhere over five decades. The gallery has represented Shulman since 1995.
Opening September 8, 2009, the Hermes Foundation Gallery at 63rd and Madison, NYC will present Terra Firma, an exhibition of Vicky Sambunaris's recent work exploring geologic hot spots in the American West. This summer Sambunaris was also the subject of solo exhibition an the Lannan Foundation in Santa Fe, NM.
Amy Elkins and Hellen van Meene are included in The Portrait: Photography as a Stage, from Mapplethorpe to Nan Goldin currently on view at the Kunsthalle Wien, Austria. The exhibition also includes Roger Ballen, Tina Barney, Valérie Belin, Clegg & Guttmann, Anton Corbijn, Rineke Dijkstra, JH Engström, Alberto Garcia-Alix, Nan Goldin, Katy Grannan, Jitka Hanzlová, Peter Hujar, Sally Mann, Robert Mapplethorpe,Thomas Ruff, and Wolfgang Tillmans among others. Curated by Peter Weiermair, the exhibition runs through October 18th, 2009.
Hellen van Meene is one of twelve contemporary Dutch photographers featured in the exhibition Dutch Seen: New York Rediscovered on view through September 13, 2009 at the Museum of the City of New York. To watch a video on the exhibition narrated by the curator please click here. Her new monograph tout va paraitre has just been published by Schirmer Mosel.
In addition to a solo show at Yancey Richardson Gallery in 2010, Barbara Kasten will exhibit her new large-scale abstractions at Galerie Almine Rech, Paris in Spring 2010. Work from this series was recently included in The Edge of Vision: Abstraction in Contemporary Photography May - July 2009 at Aperture Gallery, NYC. Constructivismes, (A Visual Essay) at Andrea Rosen Gallery, curated by Olivier Renaud Clement, featured Kasten's early drawings on photograms alongside Kasmir Malevich and Burgoyne Diller.
Mario Cravo Neto is a part of the group exhibition Négritude at Exit Art in New York City. The show explores the visionary 20th century political and artistic movement of the same name. The exhibition runs through July 25, 2009.
Sharon Core will have a solo exhibition of her Early American series at the Savannah College of Art and Design in Georgia. The exhibition will be shown in two venues, Pinnacle Gallery, Savannah July 8 - August 16, 2009 and the Trois Gallery, Atlanta October 8 - November 25, 2009. Both the J. Paul Getty Museum of Art and The Amon Carter Museum have recently acquired examples from Core's Early American series.
Olivo Barbieri's spectacular ten panel 22 foot photograph "Shanghai, China" will be featured in the Museum of Contemporary Photography, Chicago's upcoming exhibition Reversed Images: Representations of Shanghai and Its Contemporary Material Culture on view September 25 - December 23, 2009.
We are happy to announce that gallery artist Rachel Perry has been awarded a MacDowell Colony Fellowship, 2009-2010, as well as a Massachusetts Cultural Council Artist Grant (Sculpture), 2009.
Julius Shulman's iconic photograph Case Study House #22, 1960 was included in the Museum of Modern Art Spring 2009 exhibition Into the Sunset: Photography's Image of the American West.
Lynn Saville's first monograph Night|Shift: Photographs by Lynn Saville, published by The Monacelli Press, was released in May 2009.
Both Laura Letinsky and Hiroh Kikai were nominated for the 2009 Deutsche Borse Prize, awarded to UK-born photographer Paul Graham. The Prize aims to reward a living photographer who has made the most significant contribution to the medium of photography in Europe over the past year. Gallery artist Esko Mannikko was the 2008 Deutsche Borse recipient.
Victoria Sambunaris and Christian Patterson have been nominated for the 2009 Baum Award for Emerging American Photographer. Lisa Kereszi was the 2005 recipient.
Mark Steinmetz's new book Greater Atlanta, his third with Nazraeli Press, will be released in Fall 2009. The Yale Art Gallery recently acquired a group of Steinmetz's works from the edition for their collection.
The work of Terry Evans is currently featured in Picturing Modernity: The Photography Collection, an ongoing exhibition at the San Francisco Museum of Modern Art.
Hellen Van Meene is included in a group exhibition Darkside: Photographic Desire and Sexuality Photographed, at Fotomuseum Winterthur, Zürich up through November 16th 2008.