Omar Barquet, el, from the Syllables series, 2022. Mixed media collage, wood and oyster shell fragments, silver and gold pin, metallic paper, peacock feather, enamel and ink on printed paper, custom artist frame, 17 x 14 1/4 inches.
Omar Barquet, en, from the Syllables series, 2024. Mixed media collage, fragments of wood and seashells, synthetic hair, nails, silver and gold pins, enamel and ink on printed paper mounted on wooden panel and custom artist frame, 17 x 14 inches.
Omar Barquet, to, from the Syllables series, 2022. Mixed media collage, wooden fragments, seashell, silver and golden pin, enamel and ink on printed paper, custom artist frame, 17 x 14 1/4 inches.
Omar Barquet, u, from the Syllables series, 2022. Mixed media collage, wood and oyster shell fragments, peacock feather, silver and gold pin, colored pencil, enamel and ink on printed paper, custom artist frame, 17 x 14 1/4 inches.
John Divola, Abandoned Painting G, 2007-2008. Archival Pigment Print, 44 x 55 1/2 inches.
Alanna Fields, Dorothy Dandridge Eyes (Leigh Angelique 1971), 2022. Dye sublimation prints on aluminum, tinted plexiglass, and mahogany frame, 30 15/16 x 30 15/16 x 2 1/16 inches.
Ori Gersht, Untitled 01, from the series Fusing Time, 2022. Archival pigment print, 59 x 44 inches.
Ori Gersht, Untitled 02, from the series Fusing Time, 2022. Archival pigment print, 59 x 44 inches.
Karen Gunderson, Tides Are Changing, 2024. Oil on linen, 40 x 40 inches.
Anthony Hernandez, Screened Pictures X #122, 2021. Archival pigment print, 50 x 75 inches.
Laura Letinsky, leaning over blue, from the series Who Loves the Sun, 2023. Archival pigment print, 40 1/2 x 32 1/2 inches.
Laura Letinsky, two or three pinks, from the series Who Loves the Sun, 2023. Archival pigment print, 40 1/2 x 32 1/2 inches.
Mary Lum, On (se), 2024. Acrylic and photo transfer on paper, 69 3/8 x 49 1/2 inches.
Vera Lutter, New York City, VII: May 21, 2024, 2024. Gelatin silver print, 79 1/2 x 52 inches.
Marilyn Minter, Ray of Light, 2022. Dye sublimation print, 40 1/2 x 30 1/2 inches.
Zanele Muholi, Lishonile, BellCourt, Seattle, from the series Somnyama Ngonyama, 2019. Gelatin silver print, 16 5/8 x 23 3/8 inches.
Zanele Muholi, Mumu XV, Newington, London, from the series Somnyama Ngonyama, 2016. Gelatin silver print, 31 1/2 x 23 3/4 inches.
Mickalene Thomas, Be a Sweetheart in Black and White, 2023. Archival pigment print, image: 4 x 6 inches, frame: 11 x 13 inches.
Mickalene Thomas, Remember Me, 2023. Archival pigment print, image: 4 x 6 inches, frame: 11 x 13 inches.
Mickalene Thomas, Tamika Sur Une Chaise Longue in Black and White, 2023 Archival pigment print, image: 4 x 6 inches, frame: 11 x 13 inches.
Mickalene Thomas, NUS Exotiques #2, 2023. Rhinestones on dye sublimation prints, 28 x 27 5/8 x 2 1/2 inches.
Tseng Kwong Chi, Jean-Michel Basquiat and Andy Warhol, collaboration, 1985 Chromogenic print, image: 19 1/2 x 19 1/2 inches, frame: 26 1/2 x 26 1/2 inches.
Tseng Kwong Chi, Bill T. Jones Body Painting with Keith Haring, 1983. Gelatin silver print, image: 18 7/8 x 15 3/8 inches, frame: 27 7/8 x 24 3/8 inches.
Tseng Kwong Chi, Bill T. Jones Body Painting with Keith Haring, 1983. Gelatin silver print, image: 18 7/8 x 15 3/8 inches, frame: 27 7/8 x 24 3/8 inches.
Tseng Kwong Chi, Bill T. Jones Body Painting with Keith Haring, 1983. Gelatin silver print, image: 18 7/8 x 15 3/8 inches, frame: 27 7/8 x 24 3/8 inches.
Tseng Kwong Chi, Bill T. Jones Body Painting with Keith Haring, 1983. Gelatin silver print, image: 18 7/8 x 15 3/8 inches, frame: 27 7/8 x 24 3/8 inches.
Tseng Kwong Chi, Bill T. Jones Body Painting with Keith Haring, 1983. Gelatin silver print, image: 18 7/8 x 15 3/8 inches, frame: 27 7/8 x 24 3/8 inches.
Tseng Kwong Chi, Bill T. Jones Body Painting with Keith Haring, 1983. Gelatin silver print, image: 18 7/8 x 15 3/8 inches, frame: 27 7/8 x 24 3/8 inches.