The Photography Show, presented by AIPAD
April 25 – 28, 2024
Mary Ellen Bartley is known for her photographs exploring the tactile and formal qualities of the printed book, and its potential for abstraction. Bartley’s work concerns itself with geometry and pure form; painterly in style, her photos also invite curiosity about the layered histories of the books themselves. Her photos are alive with questions – about what we do and don’t see and the stories we tell. Yet the spirit of her work provides a reflective response, a respite, from a noisy and chaotic world. By emphasizing the unique “aura” and materiality of printed matter, Bartley’s work offers a celebration of textural and tactile properties, a particularly potent act in this increasingly digital age.
Alongside her minimalist studio arrangements of anonymous books chosen for their specific physical qualities, represented in series like: Paperbacks, Reading in Color and Blue Books, are the projects realized in unique libraries and archives where she responds to collections and their habitats, developing projects over time spent with them. Bartley was a Watermill Center 2015 Artist in Residence and worked with the library there to create the installation and book Reading Robert Wilson. In 2017, she created the installation Library Copies at The Queens Museum working with Andrew Beccone's Reanimation Library. Her series Reading Grey Gardens both archived and reinvented the collection of books at the famed East Hampton estate.
Bartley also worked with the library and music archives at The Pollock Krasner House in Springs, NY. Most recently she was invited to work with the personal library of Giorgio Morandi, the twentieth-century Italian artist whose quiet still life paintings have been an essential source of inspiration from the beginning of her practice. The resulting series Morandi’s Books — meditative, quiet and rigorously observed, affirms her affinities with the painter and furthers her open-ended investigations of artists’ relationships to their books.
Born in New York City, Bartley received her BFA from Purchase College, SUNY. Her work has been exhibited in numerous institutions including Museo Morandi, Bologna, Italy; The Walker Art Center, Minneapolis MN; The Morgan Library and Museum, New York, NY; Parrish Art Museum, Watermill, NY; The Queens Museum, NY; and The Watermill Center, NY among others. Artist residencies include Casa Morandi, Bologna, Italy; Pollock Krasner House and Study Center, Springs, NY; Visual Studies Workshop, Rochester, NY; Penumbra Foundation, NY; The Queens Museum, NY and Watermill Center, NY. Her work is in permanent collections including Walker Art Center, Minneapolis, MN; J. Paul Getty Museum, Los Angeles, CA; The Morgan Library and Museum, NY; The Center for Creative Photography, Tucson, AZ; MOMA Library Special Collections, NY; and the Parrish Art Museum, Watermill, NY among others. The artist currently lives and works in Sag Harbor, NY.
Morandi's Books
January 31 – July 7, 2024
Mary Ellen Bartley presents Morandi’s Books at the Museo Morandi in Bologna, Italy on view January 31 – July 7, 2024. Continuing the museum's tradition of exhibiting contemporary artists such as Rachel Whiteread, Tacita Dean and Wayne Thiebaud in dialogue with Giorgio Morandi, Bartley’s photographs will hang alongside the renowned 19th century still life painter – a source of inspiration from the beginning of her artistic practice.
Library Copies
Library Copies is a culmination of work over the past three months as a visiting artist in the Reanimation Library currently housed at the Queens Museum. The windowless library inspired a new series of images generated using the library's black and white photocopier.
Ordinary Pictures
Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture-based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production. Despite its apparent throwaway status, the stock image is the primary commodity of a $1 billion global industry with far-reaching effects in the marketplace and the public sphere.
